The series of Velvet revolutions in 1989, which brought about the collapse of communism in Europe, seem to have vindicated those political theorists and activists who believed in the possibility of non-violent power. The relative success of the 1989 revolutions has validated a new paradigm of revolutionary change based on the assumption that radical changes were attainable through moderate means. Yet the legacy of these non-violent revolutions also points towards the limits of political strategies fundamentally opposed to violence. The article (...) shows that the key architects of non-violent revolutions in 1989 were well aware of the contingent nature of all political actions, and were thus willing to take risks in their pursuit of freedom. (shrink)

This article examines Václav Havel's unconventional route to democracy. At the core of the enquiry is an analysis of the role his Absurdism played in the development of his thought and activism. The essay illustrates how a typically literary, non-democratic intellectual orientation sustained Havel in his struggle for democratic political change against the abuses of really existing socialism. Yet, Havel's thought did not stop there; he eyed Western liberalism critically as well. Springing from his Absurdist sensibility was a vision of (...) democracy that was neither wholly liberal nor socialist, yet quite practical. By making a case for reconsidering ideas that typically fall outside the purview of democratic theory, this article also suggests the possibility of critically rethinking democracy itself. (shrink)

This article develops three interconnected arguments concerning the image of modernity as a revolutionary epoch and the way in which this image has been understood and theorized. These three lines of conceptualization, which can only be sketched in less rather than greater detail here, concern the constellation or figuration of modernity, its democratic dimension, and in reference to each, the work of Max Weber, especially The City. More specifically, the article argues that modern democracy is revolutionary when viewed as an (...) open and self-instituting articulation of political power. Its modern revolutionary impulse begins in the Italian Renaissance city-states, the German `free' cities, and the Swiss federation where urban autonomy was matched by the creation of elected forms of rulership and the development of federated circulations of power. (shrink)