Adaptive Actions initiated in London in 2007 by Jean-François Prost explores alterations in the workplace, the home, and public spaces in general. Identifying the variety of these personal and found alterations in the city as different forms of adaptation creates a vocabulary for the expression of the collective imagination, through the existing urban structures therein. These ‘actions’ modify and activate the intended use of architecture and enhance the character of urban environments. They create positive tensions that test the limits of (...) tolerated appropriation. Can these simple actions, images, and ideas, such as the hybridization of conventional and unusual urban realities, infiltrate our collective imagination to promote feelings of identity and a sense of cultural belonging? Adaptive Actions points to how urban phenomena impact on residents’ perception of the environment and their relation to it. By offering a space to share experiences, ideas, forms of actions, and specific accomplishments, Adaptive Actions creates an inventory of alterations rarely visible to the public. Printed documents and organized events are being planned to increase visibility of the selected actions to the public eye and build affiliations and communal thinking. (shrink)

La dispute récurrente entre Braudel et Gurvitch a pris une nouvelle tournure en 1958 lorsque chacun explicita son approche des temps. Braudel estime que sa distinction entre trois durées historiques devrait offrir un cadre épistémologique et méthodologique commun aux sciences sociales, sociologie comprise. La typologie des temps sociaux de Gurvitch ne lui semble pas opératoire : elle est trop qualitative. Gurvitch lui répond que réalité et temps historiques se rapportent à des genres particuliers de temps sociaux, qualitatifs-quantitatifs, discontinus-continus... L’étude de (...) ces derniers confirmerait que l’historien et le sociologue ne peuvent concevoir de la même manière leur objet et leur méthode. Esquisse d’une analyse critique.The recurrent debate between Braudel and Gurvitch was given a new development in 1958, when both of them clarified their definition of time. In Braudel’s mind the distinction he made between three different historical times offered a common epistemological and methodological framework for social sciences, including sociology. For Braudel, Gurvitch’s typification of time in terms of social times seemed to be unoperative : it is too qualitative. Gurvitch replied to him that historical reality and historical times referred to specific types of social times : qualitative-quantitative, discontinuous-continuous... The study of these types would confirm that the historian and the sociologist do not conceive their object and their method in the same way. The article sketches a critical analysis of the question. (shrink)

This article argues that the implications of the recent eclipse of the construct of the `primitive' for the practice of the human sciences have not been adequately pondered. It asks, therefore, why and how the myth of primitiveness has been sustained by the human sciences, and what purposes it has served for the modern West's self-understanding. To attempt to answer such a query, the article pursues two principal lines of inquiry. In order to appreciate what is potentially being lost, the (...) space that may be closing up as a result of the death of the `primitive', the first part of the article strives to demonstrate the latter's significance for the self-critique of modern ways of thinking and acting by historiographically reconstructing its changing roles within and representations by the human sciences. In the second section, it is contended that the eclipse of primitiveness has created a potentially problematic situation for the human sciences, since the cross-cultural mode of critique cultivated through this myth risks being neglected in a post-`primitive' age. All in all, then, the article claims that continued engagement with cultural alterity is essential for the human sciences after primitiveness, and that such an engagement can be sustained by an understanding of the different ways in which the `primitive' has been defined and has functioned over the course of the modern era. (shrink)

La videosfera en que consiste el mundo es realmente una videocracia, un sistema de control y dominio que, mediante la información digital obtenida sobre nosotros, acaba con nuestra libertad. La causa de este fenómeno es nuestro afán por la seguridad. La democracia de la libertad ha sido superada por la democracia de la seguridad, por la ciberdemocracia. Hoy todo es a distancia, también la comunidad humana. La distancia es paradójicamente lo único que hoy nos une. La comunidad actual solo puede (...) estar constituida por soledades conectadas. (shrink)

This paper deals with the statue without female forms of Our Lady of Maidens, kept in the parish church of Civitella Roveto in the Abruzzo region, in Italy. After describing the religious rituals involving the statue of this Virgin in order to shed light on her title, the study goes on to analyze vernacular discourses about her and explore the prohibition regarding the touching of her body. The symbolic aspects of the shapeless body of the statue are then investigated and (...) discussed in the light of Marian, anthropological, sociological, and feminist literature, considering them a specific device for expelling female sexual desire from the domain of fertility. The article, focused on the body of the Madonna, hopes to contribute to studies in religious materiality as well as to studies in the social construction of gender inequality. (shrink)

El presente artículo discute el acontecimiento pandemia y su significado en las ‘_practicateorías_’ docentes, recordando que la posición del gobierno no se orientó, anteriormente, ni a la formación ni a la distribución de dispositivos que permitieran la comunicación pedagógica. Sin embargo, la presencia cotidiana de dichos dispositivos en la vida de los ‘_practicantespensantes_’ de las escuelas permitió que las acciones curriculares se desarrollaran de forma creativa.