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[author unknown]
Renascence 1 (2):97-102 (1949)

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  1. Nietzsche's Übermensch: A Glance behind the Mask of Hardness.Eva Cybulska - 2015 - Indo-Pacific Journal of Phenomenology 15 (1):1-13.
    Nietzsche's notion of the Übermensch is one of his most famous. While he himself never defined or explained what he meant by it, many philosophical interpretations have been offered in secondary literature. None of these, however, has examined the significance of the notion for Nietzsche the man, and this essay therefore attempts to address this gap.The idea of the Übermensch occurred to Nietzsche rather suddenly in the winter of 1882-1883, when his life was in turmoil after yet another deep personal (...)
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  • Three Wrong Leads in a Search for an Environmental Ethic: Tom Regan on Animal Rights, Inherent Values, and "Deep Ecology".Ernest Partridge - unknown
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  • An idealist approach to values education theory.Gunter Bubleit - unknown
    In this thesis the writer outlines one form that an evolutionary-developmental paradigm of humankind might take. Beginning with the idealist position than an epistemology must precede an ontology, the author proceeds to describe the view that emerges when the respected authorities of empirical evidence and logic are joined by the eye that gives us a "scientia intuitiva," or a view "sub specie aeternitatis." From such an expanded view, a Wave Model of Consciousness-Being is formulated. The writer examines the implications of (...)
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  • The Art of Gratitude.Jeremy David Engels - 2018 - SUNY Press.
    Explores how the emotional experience of gratitude has been enlisted in neoliberal governance through the language of debt. In The Art of Gratitude, Jeremy David Engels sketches a genealogy of gratitude from the ancient Greeks to the contemporary self-help movement. One of the most striking things about gratitude, Engels finds, is how consistently it is described using the language of indebtedness. A chief purpose of this, he contends, is to make us more comfortable living lives in debt, with the nefarious (...)
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