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Immortality or Extinction

Philosophy 58 (225):407-409 (1983)

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  1. Reflections on the Context of Near-Death Experiences.Michael Nahm - 2011 - Journal of Scientific Exploration 25 (3).
    Near-death experiences (NDEs) constitute a particular type of experience that occurs in near-death states and is familiar to many. Yet, there are other kinds of lesser-known experiences reported from near-death states that appear to form an interconnected continuum with NDEs. Because the relations between these different experiences have not received much attention in the more recent literature, this paper presents an introductory overview on them. The topics discussed include cases of unexplained body changes during near-death states, reciprocally confirmed out-of-body experiences (...)
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  • The Implications of Near-Death Experiences for Research into the Survival of Consciousness.David Rousseau - 2012 - Journal of Scientific Exploration 26 (1).
    It is generally supposed by psychical researchers that evidence suggestive of consciousness surviving bodily death would always be compatible with the so-called 'super-psi hypothesis', according to which living-agent psi is wholly responsible for the evidence. In this paper, I argue that, granted how super-psi is supposed to work, a case can be made for certain near-death experience cases to be incompatible with the super-psi hypothesis. From such a base, the explanatory impasse between the super-psi hypothesis and the survival hypothesis can (...)
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  • Near-death experiences and spirituality.Bruce Greyson - 2006 - Zygon 41 (2):393-414.
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  • Editorial.Stephen Braude - 2012 - Journal of Scientific Exploration 26 (1).
    Composer and musicologist Nicolas Slonimsky published a fascinating and delightful book entitled Lexicon of Musical Invective: Critical Assaults on Composers Since Beethoven’s Time (Slonimsky 1965). The book is a collection of what Slonimsky called “biased, unfair, ill-tempered, and singularly unprophetic judgments” (p. 3) about famous composers and their works. We find, for example, the Gazette Musicale de Paris on August 1, 1847, saying of Verdi, “there has not yet been an Italian composer more incapable of producing what is commonly called (...)
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