Phenomenology has recently come under attack from proponents of speculative realism. In this paper, I present and assess the criticism, and argue that it is either superficial and simplistic or lacks novelty.

Despite being the work of one of the 20th-century’s most famous philosophers, Jean-Paul Sartre’s Critique of Dialectical Reason has never been fully integrated into our collective philosophical consciousness. None of the book’s key concepts, from seriality to the group, have come to play an important role in other philosophers’, sociologists’, or political theorists’ work. Amongst Sartre scholars, while work on the Critique has increased steadily in recent years, in particular in France and Belgium, no critical consensus exists about the book’s (...) overall meaning or value. On the occasion of the Critique’s 60th birthday, in this article I provide a summary of its main aims and concepts with a view to establishing a new basis for reading and discussing the book. I will argue that the Critique is a coherent and unique work of social theory that speaks to a world suffering an overwhelming wave of what Sartre calls ‘counter-finality’ in the form of climate change. (shrink)

This article offers a reading of the “transcendental” character of Alain Badiou’s and Giorgio Agamben’s ontologies. While neither Badiou nor Agamben are “transcendental” philosophers in the Kantian sense, this article argues that their respective projects of ontology both recover aspects of the “classical” conception of the transcendentals. Not unlike how pre-modern philosophers conceived of oneness, truth and goodness as transcendental properties of all things, both Badiou’s and Agamben’s ontologies present various structures which can be universally predicated of all being. However, (...) as opposed to the essentialist or even theological tendencies of traditional metaphysics, Badiou’s and Agamben’s ontologies are committedly “inessential” and atheistic at their very core. By replacing the divine names of the one, the true and the good in traditional metaphysics with a new yet quasi-classical transcendental notion of “the void” as a universal predicate of all beings, Badiou’s and Agamben’s works may be regarded as projects that go beyond both the pre-Kantian “theological” and the post-Kantian “subjective” conceptions of transcendental philosophy, thereby marking a new development in the history of western metaphysics. (shrink)