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XY: On Masculine Identity

Columbia University Press (1997)

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  1. Pilgrimages of the Plagued: AIDS, Body and Society.Claudio Bardella - 2002 - Body and Society 8 (2):79-105.
    This article describes the mystico-religious character of the `gay-mega-party' phenomenon which has developed in and across urban gay `communities' of the Western world and suggests how the HIV/aids health crisis, pivotal in the enactment of this postmodern form of religious expression, sets it apart from mainstream expressions of `rave' culture. The concept of a gay `community' is problematic, and notions of `lifestyle' and `neo-tribalism' are employed in order to conceptualize individual and communal processes of identification of homosexual behaviour. The application (...)
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  • Sexing the Body: Representations of Sex Differences in Gray's Anatomy, 1858 to the Present.Alan Petersen - 1998 - Body and Society 4 (1):1-15.
    Anatomy texts are seen as authoritative sources for knowledge about natural sex differences. The concepts of a natural, biological sex and of a natural difference are, however, increasingly difficult to sustain. A growing number of scholars have pointed to the fact that `sex' as much as `gender' is a historical and social construction. This article examines how the multiple-edition anatomy textbook, Gray's Anatomy, has portrayed the sexed body and male/female differences during the course of its publication, 1858 to the present, (...)
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  • Masculinity and the Dance of the Dragon: Reading Lovelace Discursively1.Linden Lewis - 1998 - Feminist Review 59 (1):164-185.
    The exploration and examination of the construction of masculinity is increasingly emerging as an integrated part of the study of gender in society in general, and in the Caribbean in particular. We are constantly in search for new sources of material which tell us about the ways in which men construct their masculinity in Caribbean society. In this paper I draw on the imagery and ideas provided by the literary text. I interrogate the novel The Dragon Can't Dance, written by (...)
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