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Transparency, olfaction and aesthetics

Analysis 76 (2):121-130 (2016)

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  1. The nonclassical mereology of olfactory experiences.Błażej Skrzypulec - 2019 - Synthese 198 (1):867-886.
    While there is a growing philosophical interest in analysing olfactory experiences, the mereological structure of odours considered in respect of how they are perceptually experienced has not yet been extensively investigated. The paper argues that odours are perceptually experienced as having a mereological structure, but this structure is significantly different from the spatial mereological structure of visually experienced objects. Most importantly, in the case of the olfactory part-structure, the classical weak supplementation principle is not satisfied. This thesis is justified by (...)
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  • A Tour of the Senses.Carolyn Korsmeyer - 2019 - British Journal of Aesthetics 59 (4):357-371.
    Traditionally, the bodily senses of smell, taste, and touch have been designated ‘nonaesthetic’ senses and their objects considered unsuited to be fashioned into works of fine art. Recent innovations in the art world, however, have introduced scents, tastes, and tactile qualities into gallery exhibits, movements that, at least superficially, appear parallel to philosophical revaluations of the senses. This paper investigates the aesthetic scope of the five external senses, addressing some standard arguments about the limits of the ‘lower’ senses. I defend (...)
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