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A Most Disagreeable Mirror

Political Theory 26 (3):346-369 (1998)

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  1. What’s in a world? Du Bois and Heidegger on politics, aesthetics, and foundings.Ross Mittiga - 2019 - Contemporary Political Theory 18 (2):180-201.
    Central to W.E.B. Du Bois’s political theory is a conception of “world” remarkably similar to that put forward, years later, by Martin Heidegger. This point is more methodological than historical: I claim that approaching Du Bois’s work as a source, rather than as a product, of concepts that resonated with subsequent thinkers allows us to better appreciate the novelty and vision of his political theory. Exploring this resonance, I argue, helps to refine the notions of world and founding present in (...)
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  • This is Us: Imagination, identity, and American racial hierarchy.Gauri Wagle - 2023 - Contemporary Political Theory 22 (4):483-505.
    This article shows that William E. Connolly’s work holds resources for projects of racial justice but must be revised to fully meet the challenge of racial inequality. There are two interrelated problems in Connolly’s theory: first, the drive to destabilize identity, for which he argues, rejects the need for collective identity, which is necessary in democratic politics. Furthermore, because domination renders identity unstable, the call to destabilize identity places too great a burden on already marginalized groups. The problem of destabilizing (...)
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  • On Du Bois’ Notion of Double Consciousness.Frank M. Kirkland - 2013 - Philosophy Compass 8 (2):137-148.
    The recent reception of Du Bois’ notion of “double consciousness” in the humanities has affirmed the notion as crucial and pivotal throughout his work. In contrast, its recent reception in the social sciences has tended to reject its centrality and importance. This essay will give general credence to the former position but, more importantly, show why a turn to Rousseau’s conception of amour‐propre may illuminate the importance of “double consciousness” in and for Du Bois’ 1903 work The Souls of Black (...)
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