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  1. Dismantling the Chinese Room with linguistic tools: a framework for elucidating concept-application disputes.Lawrence Lengbeyer - 2022 - AI and Society 37 (4):1625-1643.
    Imagine advanced computers that could, by virtue merely of being programmed in the right ways, act, react, communicate, and otherwise behave like humans. Might such computers be capable of understanding, thinking, believing, and the like? The framework developed in this paper for tackling challenging questions of concept application (in any realm of discourse) answers in the affirmative, contrary to Searle’s famous ‘Chinese Room’ thought experiment, which purports to prove that ascribing such mental processes to computers like these would be necessarily (...)
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  • Philosophy of Street Art: Identity, Value, and the Law.Andrea Lorenzo Baldini - 2022 - Philosophy Compass 17 (9):e12862.
    We are living in the era of street art. Since Nick Riggle’s pivotal work on the definition of street art, several philosophers have addressed issues in the philosophy of street art. The goal of this paper is to summarize the literature. I consider the following matters, which have been at the core of philosophical discussions on street art: demarcation, value, illegality, and the ethical foundation of intellectual property (IP) protection. In answering the question ‘What is street art?,’ philosophers have generally (...)
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  • (1 other version)La rue est à nous. Dal mondo dell’arte a Google street view (e ritorno).Filippo Fimiani - 2021 - Rivista di Estetica 77:59-76.
    periphery looks at you with hate. This phrase in red neon struck the visitors of Landscapes, an exhibition by Domenico Antonio Mancini in the Lia Rumma Gallery in Naples, in 2019. It was not addressed to the public but to the nineteenth-century pictorial views relocated in the last room of the exhibition, as if repainted by the immaterial vandalism of the colored light. The exhibition’s theme was the visibility of contemporary suburban environments, now accessible through Google street view visualizations. Mancini’s (...)
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