A compositional theory of perceptual representations would explain how the accuracy conditions of a given type of perceptual state depend on the contents of constituent perceptual representations and the way those constituents are structurally related. Such a theory would offer a basic framework for understanding the nature, grounds, and epistemic significance of perception. But an adequate semantics of perceptual representations must accommodate the holistic nature of perception. In particular, perception is replete with context effects, in which the way one perceptually (...) represents one aspect of a scene (including the position, size, orientation, shape, color, motion, or even unity of an object) normally depends on how one represents many other aspects of the scene. The ability of existing accounts of the semantics of perception to analyze context effects is at best unclear. Context effects have even been thought to call into question the very feasibility of a systematic semantics of perception. After outlining a compositional semantics for a rudimentary set of percepts, I draw on empirical models from perceptual psychology to show how such a theory must be modified to analyze context effects. Context effects arise from substantive constraints on how perceptual representations can combine and from the different semantic roles that perceptual representations can have. I suggest that context effects are closely tied to the objectivity of perception. They arise from a perceptual grammar that functions to facilitate the composition of reliably accurate representations in an uncertain but structured world. (shrink)

Analog representation is often cast in terms of an engineering distinction between smooth and discrete systems. The engineering notion cuts across interesting representational categories, however, so it is poorly suited to thinking about kinds of representation. This paper suggests that analog representations support a pattern of interaction, specifically open-ended searches for content across levels of abstraction. They support the pattern by sharing a structure with what they represent. Continuous systems that satisfy the engineering notion are exemplars of this kind because (...) they are uninterpretable unless they are structure-preserving. Analog representations, so understood, include pictures, images, diagrams, and most graphs. This conception of analogicity also fits well with a line of thought about what makes perceptual states distinctive: they satisfy a “parts principle”. (shrink)

This paper proposes and develops the feelings of goals hypothesis (FGH). It has two aims: first, to describe the evolutionary function of emotional feelings (EFs), and second, to describe the content and the format of EFs. According to FGH, the evolutionary function of EFs is to enable motoric flexibility. Specifically, EFs are a component of a psychological mechanism that permits differential motoric reactions to the same stimulus. Further, according to FGH, EF is a special type of mental representation with the (...) content of an action goal, and with a non-motoric, non-conceptual format. This paper thoroughly clarifies the assumptions underlying FGH and discusses its theoretical implications and empirical predictions. (shrink)

This paper argues, contrary to Fodor’s well-known position, that the iconic and discursive modes of representation are not mutually exclusive categories. It is argued that there exists at least a third kind of representation which blends the semantic properties of icons and the syntactic properties of discourses. We reason that this iconic-discursive genus behaves differently from other representational formats, such as distributed representations or maps, previously put forward as challenging Fodor’s basic distinction. A reflection follows about how this kind of (...) representation impacts on the Fodorian issues for which the original dual distinction was argumentatively instrumental, namely, the kinds of codes and possible inter-code relations accessible to the representational mind. The suggestion is put forward that iconic-discursive representations may facilitate trade-offs between the world and the representational mind, as well as between the differently complex levels of representation that mediate between percepts and concepts. We conclude that such aspects of the computational mind, which until now appeared to be stubbornly resistant with respect to a conciliation of Hume’s empiricism and Fodor’s computationalism, may be more easily accessed and understood taking advantage of the biosemiotics perspective and acknowledging the richness of the biosemiotics codes accessible to cognition. (shrink)

This dissertation examines some of ways of evaluating beliefs, relevant to epistemology and to metaphysics. Some problems in normative epistemology are solved by properly relating justified belief, rational belief, and knowledge. Chapter 1 uses this strategy to defend externalism about justified belief. Chapters 3 and 4 defend the view that knowledge is the epistemic standard we aim for our beliefs to meet. Chapter 2 investigates which beliefs are improper because formed in an objectionably circular way. The findings support the Moorean (...) response to Brain-In-a-Vat skepticism, by rebutting the objection from ‘easy knowledge’. The theory of justified belief developed in chapter 1 underwrites the Moorean reply. Chapters 5 and 6 make a non-epistemic way of evaluating beliefs central to metaphysics. To understand relativity or vagueness in a subject-matter, we must hold that being true or false is not the metaphysically serious evaluation of how a belief answers to reality. Either verdict on a borderline case is ‘acceptable’ in the metaphysically serious sense. For a matter to be relative is for the ‘acceptability’ of affirming the proposition to vary between judges. Chapters 5 and 6 sketch an approach to metaphysics built from the notion of ‘metaphysically acceptable judgment’, with chapter 6 concentrating on vagueness, and chapter 5 focusing on relativism about knowledge. Chapter 5 argues that the lottery and preface puzzles manifest central features of our concept of knowledge. The proposed version of relativism about knowledge is the only theory to respect those features. The view of knowledge presented in chapter 5 is not an isolated metaphysical extravagance, as the same framework is needed for the right metaphysics of everything that’s vague. It is worth noting that my solution to the lottery puzzle is metaphysical relativism about knowledge, but my rebuttal of Brain-In-a-Vat skepticism concerns epistemic circularity and belongs to normative epistemology. Much recent work incorrectly assumes that the two puzzles receive the same treatment. (shrink)