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  1. Foucault's Point of Heresy: ‘Quasi-Transcendentals’ and the Transdisciplinary Function of the Episteme.Étienne Balibar - 2015 - Theory, Culture and Society 32 (5-6):45-77.
    Major difficulties for readers of Foucault’s The Order of Things concern the historical function and the logical construction of the episteme. Our proposal is to link it with another notion, the ‘point of heresy’, less frequently addressed. This leads to asserting that irreconcilable dilemmas are in fact determined by the type of rationality governing the emergence of common objects of knowledge. It also introduces a possibility of ‘walking on two roads’: a dialogical adventure within rationality. Foucault is not content with (...)
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  • A Bibliography of Work on and by Alain Badiou in English.Paul Ashton - 2006 - Cosmos and History : The Journal of Natural and Social Philosophy 2 (1-2):313-326.
    pThis bibliography presents a complete list of the work on and by Badiou currently available in English. The bibliography separates the works by Badiou, from the lsquo;Commentaries on Badioursquo;s Workrsquo;./p.
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  • The ‘birth of truth’: Alain Badiou and Plato’s banishment of the poets.J. Maggio - 2010 - Philosophy and Social Criticism 36 (5):607-621.
    Plato famously banishes the poets from his ideal city in book X of his Republic. Yet in this banishment Plato establishes the boundaries of reason, art and poetry — boundaries that have haunted western thinkers since antiquity. In this article I will explore those Platonic boundaries, specifically the intellectual limits of poetic writing as reflected upon by self-identified Platonist Alain Badiou. That being said, I am not attempting, strictly speaking, to look at Badiou’s interpretation of Plato’s banishment of poetry. Instead, (...)
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  • Lessons on knowledge transmission from Plato’s allegory of the cave: the influence of reason and companionship on transmissive and participatory pedagogies.Mark Debono - 2023 - Ethics and Education 18 (2):181-194.
    The narrative of Plato’s cave story is loaded with ‘some of the most suggestive opposites in the repertoire, namely the contrasts between down and up, darkness and light, chains and freedom’ (Hrach...
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  • The nameless wild one the ethics of Anonymous subjectivity—medieval and modern.Gregory B. Stone - 2006 - Common Knowledge 12 (2):219-251.
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