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  1. Atalanta’s attire. Eroticising the female body on ceramic symposium painting (Athens, classical age).Flavien Villard - 2021 - Clio 54:23-46.
    Sur plusieurs vases du ve siècle, les peintres attiques ont représenté des figures féminines partiellement ou totalement dénudées qui manipulent différents accessoires athlétiques. Dans certains cas, qui constituent l’objet de cette étude, la jeune femme peut être identifiée comme l’héroïne Atalante. L’article montre comment ces images ne témoignent pas de pratiques réelles, mais sont créées pour exciter les banqueteurs qui utilisent les vases sur lesquels elles sont dépeintes.
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  • Plato on women in sport.Heather Reid - 2020 - Journal of the Philosophy of Sport 47 (3):344-361.
    In a way, there is nothing surprising about Plato’s promotion of sport for women in Republic and Laws; it is logically implied by his philosophical theories. In another way, Plato’s vision of femal...
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  • Heroic Parthenoi and the Virtues of Independence: A Feminine Philosophical Perspective on the Origins of Women’s Sport.Heather Reid - 2020 - Sport, Ethics and Philosophy 14 (4):511-524.
    Her name was Flavia Thalassia and she came from Ephesus. She won the stadion for parthenoi at the Isolympic Sebasta Games in Naples during Domitian’s reign in the late 1st c. C...
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  • Beyond Skin-deep: Considering the pig in ancient Greece through the particularities of its skin.Petra Pakkanen - 2021 - Kernos 34:123-158.
    The complexity of the pig in Greek antiquity can be traced through the rich vocabulary applied to various porcine animals. This extends to cultural, religious, and symbolic meanings imbedded into the perceived anomalousness of this animal. The religious and ideological role of the pig in antiquity and beyond has been widely studied, but little scholarly attention has been paid to the skin of the animal in ancient studies. In this article pigskin is discussed on two levels, namely practical and conceptual/symbolic. (...)
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