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  1. Intentionalism and Bald-Faced Lies.Daniel W. Harris - 2020 - Inquiry: An Interdisciplinary Journal of Philosophy.
    In Lying and Insincerity, Andreas Stokke argues that bald-faced lies are genuine lies, and that lies are always assertions. Since bald-faced lies seem not to be aimed at convincing addressees of their contents, Stokke concludes that assertions needn’t have this aim. This conflicts with a traditional version of intentionalism, originally due to Grice, on which asserting something is a matter of communicatively intending for one’s addressee to believe it. I argue that Stokke’s own account of bald-faced lies faces serious problems (...)
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  • Lying, Deception, and Dishonesty: Kant and the Contemporary Debate on the Definition of Lying.Stefano Bacin - 2022 - In Luigi Caranti & Alessandro Pinzani (eds.), Kant and the Problem of Morality: Rethinking the Contemporary World. Routledge. pp. 73-91.
    Although Kant is one of the very few classical writers referred to in the current literature on lying, hardly any attention is paid to how his views relate to the contemporary discussion on the definition of lying. I argue that, in Kant’s account, deception is not the defining feature of lying. Furthermore, his view is able to acknowledge non-deceptive lies. Kant thus holds, I suggest, a version of what is currently labelled Intrinsic Anti-Deceptionism. In his specific version of such a (...)
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  • What Makes Discrimination Morally Wrong? A Harm‐Based View Reconsidered.Shu Ishida - 2021 - Theoria 87 (2):483-499.
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  • Disruptive Conservation: Challenging Conservation Orthodoxy.Ellie Sweetnam & Jane Henderson - forthcoming - Studies in Conservation.
    This paper takes the position that our current treatments that involve infilling with a neutral rather than matched colour are deceptive to the viewer and that such deliberate mediation through the act of conservation can deny the viewer an authentic understanding of the heritage object. Governing guidelines and documents describe authenticity as the alignment of the object and its story but for some practitioners the concept remains tied to originality. Authenticity could be considered a fluid concept as it is built (...)
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