To understand the changing patterns within agriculture, it is important to look not only at social relations and organisational configurations. Also salient to such an analysis is an examination of how those formations give shape to non-humans. Much attention has been placed recently on the political economy of agriculture when speaking of these emergent patterns. Yet in doing this, the natural environment is all too often relegated to the backdrop; where the agroeconomy is viewed as something that manoeuvres within the (...) environment but never through it. The conceptual groundwork for this paper draws from two often unconnected scholars: Michel Foucault and Fernand Braudel. In Foucault, we find a framework, with a little conceptual development, through which to talk about how the economy (of both discipline and capital) enters into nature. Specifically, the argument is made that through the embodiment of discipline, nature too becomes disciplined. Yet in Foucault we find a discursive conception of socio-economic history; where capitalism is discussed, but always as an effect of the discursive structures of power/knowledge. Enter the work of Braudel, to provide us with a materialist counterweight to Foucault's theorising. In Braudel, we find a detailed analysis on the emergence of capitalism, out of which then comes his distinction between markets and anti-markets. In short, when both accounts of history are overlaid, interesting connections between the emergence of Braudelian anti-markets and Foucaultian discipline are revealed. Two brief case studies are then examined to add further depth to the discussion: the first focusing on corn; the second centring on the cow. The paper then concludes speaking on the issue of resistance. (shrink)

This paper presents a three-part reflection on the status of the lived body in feminist theory. In the first part, I argue that many influential feminist arguments have neglected questions of embodied experience. In the second part, I introduce the work of five clinically grounded psychoanalysts — Esther Bick, Frances Tustin, Donald Meltzer, Thomas Ogden and Didier Anzieu — while showing that it has much to offer those interested in making a critical return to the concrete specificities of the body. (...) In the third part, I explore the work of feminist psychoanalyst Sue Grand. In doing so, I argue that reading feminist texts alongside clinical texts is a useful approach for thinking the subjective experience of bodily life. (shrink)

Feminist philosophers and philosophers drawing on the German tradition of social philosophy have recently converged in stressing the importance of the concept of reification?first explicitly discussed by György Lukács?for the diagnosis of contemporary social and ethical problems. However, importing a theoretical framework alien to Lukács? original discussion has often led to the conflation of reification with other social and ethical problems. Here it is argued that a coherent conception of reification, free of implausible Marxist and idealist trappings, can be recovered (...) from Lukács? original discussion of it: the socially induced distortion of experience such that what is in fact human action appears as mere natural happening. This phenomenon is to be distinguished from, firstly, instrumentalising objectification of persons and, secondly, person-identification failure, with which Martha Nussbaum and Axel Honneth respectively have equated reification in recent work. Reification, on the understanding of it recovered here, is problematic not just because it is an illusion, but also because it can render moral reasons for action or omission, and grounds of ethical evaluation, invisible to agents, and, moreover, because it can lead people to tolerate as inevitable undesirable situations which could in fact be changed. It can thus ground social criticism. (shrink)

Cultural concerns about race, class and beauty often intersect with mass-mediated depictions of the female body. Drawing on Foucault's theories about disciplining the public body, this article examines the changing public perception of Anna Nicole Smith from an ideal beauty to a white trash stereotype. This analysis argues that Smith's very public weight gains, her outrageous behaviour and her legal battle for her late husband's fortune is presented in the media as an example of inappropriate conduct for a white beauty (...) ideal and thus is repositioned as white trash culture. Central to this repositioning is the constant tabloid depiction of Smith as an ‘out of control’ grotesque. This article argues that contrary to the optimistic understanding of female grotesques as effective agents of cultural criticism and social change, Smith represents the female grotesque as an agent of cultural control that instructs middle-class women on how to avoid committing classed, racial and gendered transgressions. The article concludes that the case of Anna Nicole Smith functions as a cautionary tale that reinforces cultural standards of normalization. (shrink)