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Switch to: References
Citations of:
The Cradle of Humanity: Prehistoric Art and Culture
Zone Books (2005)
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This article argues that Werner Herzog's 2010 film Cave of Forgotten Dreams both enacts and undermines a desire for origins that was characteristic of 20th century modernist discourse. I argue that the aim of the film is literally to embody the origin of cinema, as figured in the recurring motif of projected light playing across the darkened walls of Chauvet Cave, the earliest known site of prehistoric painting. Drawing on texts by Wilson Harris, Giorgio Agamben, Jean-Luc Nancy, and Maxine Sheets-Johnstone, (...) |
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The objective of this article is to explore the value of psychoanalysis in the early twenty-first century through reference to Freud, Lacan, and Stiegler’s work on computational madness. In the first section of the article I consider the original objectives of psychoanalysis through reference to what I call Freud’s ‘normalisation project’, before exploring the critique of this discourse concerned with the defence of oedipal law through a discussion of the post-modern ‘individualisation project’ set out by Deleuze and Guattari and others. (...) |
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Why should interpretation of conceptual schemes and practices across traditions work at all? In this paper we present the following necessary conditions of possibility for interpretation in comparative and Chinese philosophy: the interpreter must presuppose that there are mutually recognizable human practices; the interpreter must presuppose that “the other” is, on the whole, sincere, consistent, and right; the interpreter must be committed to certain epistemic virtues. Some of these necessary conditions are consistent with the fact that interpretation is not thwarted (...) |
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