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  1. Using Goodman to Explore Historical Representation.Eugen Zeleňák - 2013 - Journal of the Philosophy of History 7 (3):371-395.
    Several authors argue that historical works should be viewed as relatively complex and autonomous constructions that are of interest in their own right. In the paper I follow this general approach to history and provide an analysis of historical representation inspired mainly by Nelson Goodman’s observations about symbols. In Languages of Art, Goodman makes a number of interesting claims regarding pictorial representation, exemplification and expression, which could be employed to clarify certain semantic questions of history. He convincingly shows that there (...)
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  • Routes for Roots: A Mapping Shorthand Symbolism with Reference to Nelson Goodman’s Hidden Ars Combinatoria.Gerald Moshammer - 2017 - History and Philosophy of Logic 38 (3):263-281.
    A shorthand symbolism for the relational mapping of categories is introduced and developed on the basis of Nelson Goodman's structural methodology. Through a reconstruction of extensional isomorphism that Goodman introduces as a criterion for definitional accuracy, and a brief reminder of the argument structure behind his ‘new riddle of induction’, Goodman's radical ontological relativism is turned into a protological principle of what I call ‘domain constituting philosophy’. MSS is demonstrated with reference to Goodman's symbol theory, particularly his notion of exemplification, (...)
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  • Are pictures unavoidably specific?Neil Mcdonell - 1983 - Synthese 57 (1):83 - 98.
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  • The Origins of Beardsley's Aesthetics.George Dickie - 2005 - Journal of Aesthetics and Art Criticism 63 (2):175 - 178.
    George Dickie; Symposium: Monroe Beardsley's Legacy in Aesthetics EDITED BY MICHAEL WREEN AND DONALD CALLEN: The Origin of Beardsley's Aesthetics, The Journal o.
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  • Symposium: Monroe Beardsley's legacy in aesthetics edited by Michael Wreen and Donald Callen.George Dickie - 2005 - Journal of Aesthetics and Art Criticism 63 (2):175-178.
    George Dickie; Symposium: Monroe Beardsley's Legacy in Aesthetics EDITED BY MICHAEL WREEN AND DONALD CALLEN: The Origin of Beardsley's Aesthetics, The Journal o.
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  • En defensa del cognitivismo en el arte.Sixto J. Castro - 2005 - Revista de Filosofía (Madrid) 30 (1):147-164.
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