This paper tries to demonstrate that some passages of Pliny's Naturalis historia on metallurgical materials are influenced by the Stoic philosopher Posidonius' view that surfaces possess a physical existence. Indeed, Pliny reports that copper surfaces are material, both acting towards drawing a patina to themselves, and being acted upon; i.e. they are both chemically modified by air and fire, and subject to mechanical removal. Also relatable to Posidonius, namely to his view of the interaction between soul and body, is Pliny's (...) account of lead and tin, which can be united thanks to the action they mutually exert on each other, since each metal holds together both itself and what is outside itself. A further influence from the ‘aetiologist’ Posidonius is also betrayed in the care Pliny exercises in describing not only metal corrosion and soldering, but also their causes. Both the scientific and the philosophical imports of these passages are compared with passages by Plato and Plutarch on metallurgical subjects; they are also discussed in the light of the theories on ‘mixture’ propounded by Aristotle and by the Old Stoics. It is shown that Pliny's account compares favorably with Posidonius' doctrine, whereas it is at striking variance with the other ancient reports. Introduction Philosophical and literary evidence 2.1 Pliny 2.2 Posidonius 2.3 Plato and Plutarch Discussion Conclusion. (shrink)

This article catalogues and interprets an underexplored body of Greek and Roman narratives of animals who fall in love with humans. These narratives, unlike myths and fables, purport to tell of events which occur in the real world of their day; they are stories of desire (eros), but not of copulation; and their configurations of desire are characteristically Greco-Roman (the desiring animal is almost always male, and the human object of his desire is a woman or a young man explicitly (...) or implicitly described as beautiful). With their anthropocentric and hierarchically configured models of desire, and their emphasis on the impossibility of fulfillment, these narratives illustrate some lasting Western perspectives on the relationship between animals and humans and on desire itself. Some Native American narratives of animal-human love, emphasizing relationship and kinship, stand in suggestive contrast. (shrink)

Roman writing of the late Republic and early Empire, especially historiography, is filled with exempla, stories of the past meant to serve as models for contemporary and future behavior. This period also witnessed the rise of an encyclopedic mode of composition among Latin authors, which purported to collect and organize the totality of knowledge in a given field. The following essay proposes that exemplarity and encyclopedism were not just literary devices, but deep organizational principles throughout Roman culture. It seeks to (...) show how they were operative in the visual arts in the first century BCE, focusing especially on a frieze depicting the baking process on the tomb of Marcus Vergilius Eurysaces in Rome. By approaching a monument like the frieze of Eurysaces through such principles we may better articulate both visual and thematic relationships across a variety of genres within the broader Roman image world. (shrink)