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  1. How to Make (and Break) a Cicero: Epideixis, Textuality, and Self-fashioning in the Pro Archia and In Pisonem.John Dugan - 2001 - Classical Antiquity 20 (1):35-77.
    This essay explores an aspect of Cicero's use of cultural writing for political ends: his employment of the epideictic rhetorical mode in two of his speeches, Pro Archia and In Pisonem. The epideictic is a ludic rhetorical domain that embraces paradoxes: it encompasses both praise and blame, is both markedly Greek and proximate to the Romans' laudatio funebris, and is associated both with textual fixity and viva voce improvisation. The epideictic mode is thus an ideal vehicle for Cicero's self-fashioning and, (...)
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  • Consolation Through Argumentation? Prototypical and Stereotypical Argumentative Patterns in Secular Eulogies.Iva Svačinová - 2024 - Argumentation 38 (3):289-327.
    The article focuses on the argumentative character of the eulogy, a speech that is part of a funeral ritual and serves to console the community of the bereaved. It aims to contribute to the understanding of eulogy as a specific argumentative practice by identifying the argumentative patterns that occur in it. A pragma-dialectical approach to the study of argumentation is used, allowing for the description of prototypical (theoretically expected) and stereotypical (frequent in use) argumentative patterns. To probe the empirical plausibility (...)
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  • Presencing "communion" in chaïm Perelman's new rhetoric.Richard Graff & Wendy Winn - 2006 - Philosophy and Rhetoric 39 (1):45-71.
    In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Rhetoric 39.1 (2006) 45-71 [Access article in PDF] Presencing "Communion" in Chaïm Perelman's New Rhetoric Richard Graff Wendy Winn Department of RhetoricUniversity of MinnesotaOver the second half of his long and distinguished career, Chaïm Perelman reiterated the central themes of his theory of rhetoric many times. As the audience for his work expanded, Perelman was repeatedly invited to summarize the principles presented in La nouvelle rhétorique, his (...)
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  • Exclusionary Epideictic: NOVA's Narrative Excommunication of Fleischmann and Pons.Dale L. Sullivan - 1994 - Science, Technology and Human Values 19 (3):283-306.
    The documentary program "Confusion in a Jar," shown on the PBS series NOVA, is analyzed in terms of rhetorical theory. The program is characterized as an instance of the genre of epideictic rhetoric. However, unlike most studies of epideictic that emphasize the way the genre builds communion, in this case the negative side of epideictic as the rhetoric of exclusion or excommunication is investigated, especially its rhetorical function of closing off discussion. The program is shown to follow six episodes of (...)
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  • The Newspaper as an Epideictic Meeting Point : On the Epidictic Nature of the Newspaper Argumentation.Fernando López Pan - 2015 - Argumentation 29 (3):285-303.
    This article shows how epideictic rhetoric and argumentation may be interrelated in a general-interest newspaper framed as a single discourse produced by a collective author. In more specific terms, the view advanced here is that newspaper as whole has an epideictic dimension which, in terms of argumentation, is the fundamental or predominant one. The usefulness of this approach is twofold. In terms of rhetoric, to explore the applicability of epideictic rhetoric to journalistic discourse; and in the field of journalism studies, (...)
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  • Up from Memory.Bradford J. Vivian - 2012 - Philosophy and Rhetoric 45 (2):189-212.
    Booker T. Washington's Cotton States Exposition Address enlarges our understanding of the genre of witnessing by presenting a version of public testimony and historical remembrance sharply at odds with contemporary definitions of the genre. Washington's resolute choice to lend voice as a living witness to the atrocities of slavery in the service of conspicuously pragmatic and narrowly defined interests rather than universal human rights dramatically separates his performance of public witnessing from its late modern forms. Whereas survivors of historical atrocity (...)
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