This article examines the role of the alien as the ultimate outsider and considers the challenges it poses to feminist theory. I argue that these challenges are based on the need to continue developing an ethics of relationality in which neither love nor relationality itself is deemed to be the answer; on rethinking agency and ontology in terms of becoming and the limitations of becoming; on a critique of representationalism which limits us to figuring the alien in rather than as (...) feminist theory and thereby invokes the archetypal story in which alien and human, monster and human switch sides; and finally on reconsidering modes of communication that resonate with their theme and emphasise the performativity, conceptual risk taking and creativity that might enable feminist theory itself to become alien again. (shrink)

While Jacques Derrida’s influence on posthumanist theory is well established in the literature, given Martin Heidegger’s influence on Derrida, it is surprising to find that Heidegger’s relationship to posthumanist theory has been largely ignored. This article starts to fill this lacuna by showing that Heidegger’s writings not only influences but also has much to teach posthumanism, especially regarding the relationship between humanism and posthumanism. By first engaging with Heidegger’s destruction of metaphysics and related critique of anthropocentrism, I show that, while (...) rejecting Heidegger’s conclusions for being too humanist, posthumanism shares, and indeed is largely unreflectively defined by, Heidegger’s critique of the binary logic underpinning anthropocentric humanism. With this, posthumanism aims to go beyond Heidegger by overcoming all forms of humanist understanding, an attempt that brings us back to the relationship between humanism and posthumanism and Heidegger’s notion of trace. With this, I not only show that Heidegger influences posthumanism through his destruction of metaphysics, critique of anthropocentrism and notion of trace, but also point towards an understanding of posthumanism that distinguishes it from humanism and transhumanism. (shrink)

This article is interested in ‘voice imaging’ as a technical field through which people experience new relations between organic and inorganic forms of life. Grounded in a study of voice imaging in historical and contemporary scientific research, the article applies and expands on Bernard Stiegler’s ‘General Organology’, with an eye to understanding the voice as a dynamic capacity for volition. By exploring the scientific research into voice imaging, the article argues that the voice, as a cultural image, is an imaginary (...) organ that transgresses the boundaries of technological, biological, physical, psychological, social and cultural frameworks. (shrink)

Although much has been written about the so-called political, ethical and religious turns in the thinking of Jacques Derrida, few have noticed that his late writings were marked by what we could tentatively call a “zoological turn.” This is surprising given that in The Animal That Therefore I Am Derrida clearly stated that the question as to what distinguishes the human from the animal has for him always been the most important question of philosophy. This essay will attempt to offer (...) a preliminary exploration of this still largely uncharted aspect of Derrida’s thought. Starting from a brief overview of Derrida’s most important writings on the question of the animal, it will be argued that his decision to write an entire book on this issue was largely motivated by his eagerness to settle a discussion with one of his pupils, the French theorist of technology Bernard Stiegler. (shrink)