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The metaphysics of Descartes: a study of the Meditations

Westport, Conn.: Greenwood Press (1979)

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  1. The Ontological Argument as an Exercise in Cartesian Therapy.Lawrence Nolan - 2005 - Canadian Journal of Philosophy 35 (4):521 - 562.
    I argue that Descartes intended the so-called ontological "argument" as a self-validating intuition, rather than as a formal proof. The textual evidence for this view is highly compelling, but the strongest support comes from understanding Descartes's diagnosis for why God's existence is not 'immediately' self-evident to everyone and the method of analysis that he develops for making it self-evident. The larger aim of the paper is to use the ontological argument as a case study of Descartes's nonformalist theory of deduction (...)
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  • Ibn Sînâ (Avicenna) and René Descartes on the faculty of imagination.Hulya Yaldir - 2009 - British Journal for the History of Philosophy 17 (2):247-278.
    Throughout their life Ibn Sînâ and Descartes firmly believed that the soul or mind of a human being was essentially incorporeal. In his ‘On the Soul’ (De anima), the psychological part of his vast...
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  • (1 other version)Rationes implícitas y sensaciones internas en las Meditationes de Prima Philosophia.Mauricio Otaíza - 2014 - Ideas Y Valores 63 (154):59-83.
    Descartes afirma que el cogito se "experimenta en uno" (apud se experiatur)o se "siente en uno mismo" ("il sent in lui-même"), pero también ha señalado que uno no siente sino a través del cuerpo. El problema es que, en las Meditaciones, el cogito fue caracterizado cuando todavía no se había demostrado la existencia del cuerpo. Pese a esto, Descartes parece haberse dejado influir por ciertas sensaciones internas de duda y certeza. En el trabajo se sostiene que esto fue posible porque (...)
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  • The 'Meditational' Genre of Descartes' Meditations.Joshtrom Isaac Kureethadam - 1970 - Forum Philosophicum: International Journal for Philosophy 13 (1):51-68.
    In this paper, I reflect on Descartes' employment of the meditational genre in the weaving of the text of the Meditations. In the first part, the possible influences behind Descartes' choice of the meditational genre are examined. The second part of the paper attempts to spell out the significance of Descartes' use of the meditational form. The claim advanced here is that Descartes adopted this unique genre ultimately to further his radical philosophical project of a subject-centred theory of knowledge and (...)
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