This paper examines the influences which shape the tone and character of Sallie McFague’s ecotheology, while also suggesting that her theology holds immense socially transformative potential even while departing from many of the basic assumptions of traditional Christian theism. Contrary to the beliefs of majority Christianity, which most often assume the adequacy of supernatural and interventionist images of God, McFague contends that these outdated images seriously debilitate Christian agency and place our planet in peril. Changing Christian habits of thought about (...) God, therefore, may yet prove to be a necessary, though not sufficient, prerequisite to resolve our environmental plight. Ultimately, I suggest that McFague’s reconstructive theology is a significant part of a larger blossoming of immanentalist sensibilities within North American religious culture at large, and in relation to which Christian churches will have to adjust in order to survive. This theological sea change may yet have the effect of moving McFague’s reconstructive proposals from the margins into the mainstream of Christian discourse and practice. (shrink)

This article explores the importance of imagination and art when developing and working with theology, particularly feminist theology. It begins with a short review of selected periods in Christian history that either supported or warned against the use of imagination and art in classical theological development. Feminist theology has had a different history because since its inception, imagination has been central to the formation and exploration of the field. Imagination and art have continued to develop and promote feminist theological worship, (...) and backlash against feminist theology has also focused on these artistic expressions. I propose the term theological imaginizing for the intentional engagement and exploration of imagination and art with theology, and I share insights based on my field research for integrating feminist theology with art in Christian worship today. (shrink)

This paper explores the ways in which women’s nature has been defined as different from men’s in Mormonism. Unlike many mainstream Christian traditions, Mormons have a positive view of the Fall and of Eve, do not embrace the doctrine of original sin, and reject dualities which assign women to lower bodily categories in opposition to men’s higher rational ones. However, women in Mormonism are subordinated to men. This subordination is due, not to a sense that men are superior to women, (...) but to a sense that man’s distinct role is to be leader in church and family. This sense of the propriety of role differentiation coexists with romantic notions of women’s greater natural spirituality and altruism. In the last section of the paper, I discuss the ways in which feminist Mormons have critiqued the notions of gender role differentiation and women’s greater spiritual capacities. (shrink)

Feminists have critiqued assumptions and structures of inter-religious dialogue even as they have acknowledged the need for more feminist presence in this area. Because ecofeminist values span religious differences, exploring a spirituality evident across Christian ecofeminist authors makes a contribution to inter-religious feminist work. A spirituality of openness manifests in four prominent themes which recur across diverse Christian ecofeminist thinkers. Each of these themes arises from a foundational orientation to openness. Relational theories of self are grounded in the openness of (...) fluid identity construction; a stress on personal narrative as a relational way of knowing depends upon the openness of experiencing subjects to each other; an ethic of risk and discernment emphasizes openness in the courage and responsibility required to act within ambiguity; and the openness of receptivity is a prerequisite for engaging the potentially transformative power of beauty. (shrink)