This essay re-examines Hegel's account of Greek culture in the section of the _Phenomenology of Spirit_ devoted to “ethical action”. The thrust of this section cannot be adequately grasped, it is argued, by focusing on Hegel's references to either Sophocles' _Antigone_ or Greek tragedy as a whole. Taking into account Hegel's complex use of literary sources, the essay shows in particular that Hegel draws on Aristophanes' comedies to comprehend the collapse of Greek culture, a collapse he considered to result from (...) the tragic conflict constitutive of Greek culture as a whole. The essay thus aims to shed light on Hegel's abstruse remarks on womanhood and, more generally, to demonstrate that Hegel's peculiar employment of literary sources constitutes an essential element of the method he employs throughout the _Phenomenology of Spirit_. (shrink)

Die bis heute maßgebliche Piatondeutung Schlegels wurzelt im Ideenkreis der Bewußtseins- und Bildungsgeschichte des neuzeitlichen Subjekts. Ihre Genesis erklärt ihren Erfolg in einer sich gern an Piaton spiegelnden Moderne, erweist sie aber als historisch inadäquat. Der gegenwärtige Wechsel vom romantischen zum postromantischen Platon-Paradigma wird dadurch argumentativ gestützt.