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  1. La crítica platónica a oradores, poetas y sofistas. Hitos en la conceptualización de la mímesis.Graciela Elena Marcos de Pinotti - 2006 - Estudios de Filosofía (Universidad de Antioquia) 34:9-28.
    Este trabajo se ocupa de la crítica de Platón a oradores, poetas y sofistas. Su propósito es mostrar que independientemente de las características que singularizan una batalla de vasto alcance librada por el filósofo en tres frentes distintos, la noción de imitación (mimesis) proporciona un hilo conductor que permite vincular esos diferentes enfrentamientos y arrojar luz sobre la reacción de Platón ante quienes identifica, peyorativamente, como imitadores. La práctica adulatoria del orador en Gorgias, no menos que el quehacer del poeta (...)
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  • Poetic Imitation:_ The Argument of _Republic 10.Sarale Ben-Asher - 2024 - Apeiron 57 (1):55-81.
    The paper offers a new reading of the argument against poetry in Plato’s Republic 10. I argue that Socrates’ corruption charges rely on the tripartite theory of the soul, and that metaphysical doctrines play a role only in the first charge, which demonstrates that the poets are not qualified to teach by reducing tragic poetry to mimetic skill. This accusation clears the way for two corruption charges: the strengthening of appetite, and the softening of spirit (i.e., ‘the greatest charge’). The (...)
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  • Poetry and Hedonic Error in Plato’s Republic.J. Clerk Shaw - 2016 - Phronesis 61 (4):373-396.
    This paper reads Republic 583b-608b as a single, continuous line of argument. First, Socrates distinguishes real from apparent pleasure and argues that justice is more pleasant than injustice. Next, he describes how pleasures nourish the soul. This line of argument continues into the second discussion of poetry: tragic pleasures are mixed pleasures in the soul that seem greater than they are; indulging them nourishes appetite and corrupts the soul. The paper argues that Plato has a novel account of the ‘paradox (...)
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  • Platon et les poètes dans la République.Robert Muller - 2020 - Philosophie Antique 20:215-236.
    On dit et répète que, dans la République, Platon a chassé les poètes de la cité. L’affirmation n’est pas fausse, à condition d’ajouter plusieurs réserves et précisions qui, si on les prend au sérieux, donnent une image très différente de l’attitude de Platon envers la poésie. La cité a besoin de poètes : une partie essentielle de l’éducation des gardiens (livres II-III) repose sur la musique-poésie, et c’est bien pourquoi Platon s’attarde longuement sur les règles à respecter en la matière. (...)
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  • Pleasure and Illusion in Plato.Jessica Moss - 2006 - Philosophy and Phenomenological Research 72 (3):503 - 535.
    Plato links pleasure with illusion, and this link explains his rejection of the view that all desires are rational desires for the good. The Protagoras and Gorgias show connections between pleasure and illusion; the Republic develops these into a psychological theory. One part of the soul is not only prone to illusions, but also incapable of the kind of reasoning that can dispel them. Pleasure appears good; therefore this part of the soul (the appetitive part) desires pleasures qua good but (...)
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  • Ways of Discourse and Ways of Life.I.-Kai Jeng - 2020 - Metaphilosophy 51 (2-3):318-334.
    In book X of the Republic, Plato famously reports “a quarrel between poetry and philosophy.” The present essay examines this quarrel in book X, along with other relevant parts of the Republic, by understanding “philosophy” and “poetry” as rival ways of life and rival ways of discourse. The essay first explains why, in Plato’s view, poetic discourse weakens one’s power to reason and is at odds with philosophic discourse. Then it shows how poetic discourse is bound up with a way (...)
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  • Platón y el conflicto entre la vieja y la nueva poseía.Javier Aguirre - 2013 - Convivium: revista de filosofía 26:5-28.
    Las numerosas acusaciones formuladas por Platón contra la poesía aparecen a lo largo de toda su obra, referidas tanto al contenido como a la forma, y se basan en diversos supuestos éticos, políticos y metafísicos. Sin embargo, tales ataques no son lanzados con-tra la poesía como tal, sino contra la poesía tradicional y su importante presencia en el ámbito educativo griego. Frente a la tradición poética y frente a las distintas corrientes intelectuales que se disputan el espacio educativo de su (...)
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  • Words of Desire : Poetry and Non-Rational Motivation in Plato’s Republic.Olof Pettersson - 2017 - Filosofiska Notiser 4 (59-80).
    Although it is often acknowledged that poetry can only influence the non-rational part of the soul, this is rarely thought to be decisive for Plato’s argument. Poetry, instead, is taken to be psychologically corrupting because it is third removed from reality. By a closer look at Plato’s account of the address of poetry in the Republic, this paper argues that Plato takes poetry to be morally corrupting, not because of bad imitation, but because it represents and strengthens the illusory sentiments (...)
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  • Ring-Composition in Plato: the Case of Republic X.Rachel Barney - 2010 - In M. McPherran (ed.), Cambridge Critical Guide to Plato’s Republic. Cambridge University Press. pp. 32-51.
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