Aujourd’hui, les images du monde sont plus que des éléments figuratifs d’une cosmologie. Elles déterminent de manière médiatique la façon selon laquelle nous apercevons le monde et le savoir que nous en avons. La contribution fait une analyse, sur le modèle de Martin Heidegger, du devenir du monde en image du début de l’époque moderne jusqu’à aujourd’hui. L’importance est accordée principalement aux paramètres d’un concept scientifique du monde et ses transformations concernant le changement des médias . Selon Ofak, les images (...) scientifiques correspondent en même temps à une preuve et une prophétie. Finalement, un aperçu de la portée des simulations sur ordinateur dans les sciences modernes confirme cette thèse. (shrink)

This paper aims to outline the importance of Valéry with respect to some cornerstones of Adorno’s aesthetic theory as a negative-dialectical thought. Adorno’s concept of aesthetic experience finds in Valéry as an “Artist” (not simply as a “Künstler”) a sort of lieutenant: he helps to specify notions like “apparition”, “form”, “configuration”, and above all the idea of the aesthetic as a relation by which something happens in the field of human experience without being a determinate, or determinable, content of it.

This paper establishes a critical relationship between the concepts of memory and experience in the writings of Walter Benjamin, as a preliminary step to expose the negative philosophy of the same author –conceived in terms of remembrance and redemption. This conceptual framework is necessary to propose a Benjaminian negative anthropology that rejects formal anthropological universality and the effort to impose a human ideal that must be achieved by all human beings.

Collective memory is thought to be something “more” than a conglomeration of personal memories which compose it. Yet, each of us, each individual in every society, remembers from a personal point of view. And if there is memory beyond personal experience through which collective identities are configured, in what “place” might one legitimately situate it? In addressing this question, this article examines the political significance of the distinction between two levels of what are often lumped together under the term of (...) “collective memory”: memories that are retained through the direct experience of groups or associations of a limited size and those that are rarely the object of direct experience constituting the events marking the identities of mass societies. (shrink)

Today, the world image is far more than a figurative element of a cosmology. Just like a medium, it determines the way we perceive the world as well as the knowledge we possess about it. Following Martin Heidegger, the article analyses the process of becoming of the world image from the early modernity to the present times. The parameters a scientific draft of the world image displays and its transformations regarding alternating media have a central meaning in this process. The (...) author follows the idea that scientific images, which are a crucial part of the world image, serve as a proof and at the same time a prophecy. This assumption is substantiated through an insight into practices of computer simulation in modern sciences. (shrink)