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  1. Where do classifications come from? The DSM-III, the transformation of American psychiatry, and the problem of origins in the sociology of knowledge.Michael Strand - 2011 - Theory and Society 40 (3):273-313.
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  • Bourdieu’s Cleft Sociology of Science.Charles Camic - 2011 - Minerva 49 (3):275-293.
    The paper examines Pierre Bourdieu’s extensive writings on the production of scientific knowledge. The study shows that Bourdieu offered not one but two - significantly different - approaches to scientific knowledge production, one formulated in his theoretical, or programmatic, writings on the subject, the other developed in his empirical writings. Addressing the question as to the relevance of Bourdieu’s work for science studies, the analysis argues that the former of these two approaches is at once very visible in Bourdieu’s work (...)
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  • Universities and the public recognition of expertise.Jakob Arnoldi - 2007 - Minerva 45 (1):49-61.
    This article argues that new sites of knowledge production, increasingly cultivated by the mass media, are threatening the role of academics and universities as traditional sources of expertise. Drawing upon the conceptual categories of Pierre Bourdieu, the article suggests an alternative way of understanding this ‚crisis of legitimacy’.
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  • Cultural Capital in the Economic Field: A Study of Relationships in an Art Market.Lars Vigerland & Erik A. Borg - 2018 - Philosophy of Management 17 (2):169-185.
    In this study of an economic field and its relationships to a cultural field, we apply Pierre Bourdieu’s central concepts of economic capital, cultural capital, symbolic capital and field, and thus follow in a tradition that at the outset was considered to be post-structuralism, but which by Bourdieu later has been brought into the realm of realism. We have mapped relationships between the actors and thus the field structures that these relationships entail. The fields in which a segment of an (...)
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  • Scientificity before Scientism: The Invention of Cultural Research in German Studies of Antiquity 1800–1850.Monika Krause - 2024 - Theory and Society 53 (4):953-969.
    This paper examines how scholars of Greek and Roman antiquity in the German-speaking territories in the first half of the nineteenth century define scientificity (Wissenschaftlichkeit). I will argue that antiquity studies in this period of its foundation as a discipline is an instructive case to examine with regard to questions as to how scientific knowledge is established as different from other forms of knowledge, how scientific fields establish relative autonomy from other fields and what forms scientific autonomy can take. Widely (...)
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  • Reconsidering churnalism: How news factors in corporate press releases influence how journalists treat these press releases after initial selection.Ward Van Zoonen & Pytrik Schafraad - 2020 - Communications 45 (s1):718-743.
    This study examines how news factors in press releases influence journalists’ decisions and the journalistic treatment of press release information after its initial selection for the news agenda: These journalists can transform press releases into a news story, which involves little journalistic capital investment, or use these releases for a unique news production, which requires significant journalistic capital investment. The data elicited from the content analysis show that the more profound the presence of certain news factors in press releases, the (...)
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  • Celebrity capital: redefining celebrity using field theory. [REVIEW]Olivier Driessens - 2013 - Theory and Society 42 (5):543-560.
    This article proposes to redefine celebrity as a kind of capital, thereby extending Bourdieu’s field theory. This redefinition is necessary, it is argued, because one of the main limitations shared by current definitions of celebrity is their lack of explanatory power of the convertibility of celebrity into other resources, such as economic or political capital. Celebrity capital, or broadly recognizability, is conceptualized as accumulated media visibility that results from recurrent media representations. In that sense, it is a substantial kind of (...)
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