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  1. James J. Gibson's revolution in perceptual psychology: A case study of the transformation of scientific ideas.Edward S. Reed - 1986 - Studies in History and Philosophy of Science Part A 17 (1):65-98.
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  • Romantic affordances: The seductive realm of the possible.Aaron Ben-Ze’ev - 2024 - Philosophical Psychology 37 (7):1762-1796.
    In this article, James Gibson’s influential notion of “perceptual affordances” is applied to the romantic realm. The core idea of Gibson’s view rests on the possible, meaningful actions that the perceptual environment offers the animal. In order to sustain this idea, Gibson posits two additional major characteristics of affordances: (a) affordances are perceived in a direct cognitive manner, and (b) affordances have a unique ontological status that is neither subjective nor objective. While I accept the core idea, I have doubts (...)
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  • Reid's Direct Approach to Perception.Aaron Ben-Zeev - 1986 - Studies in History and Philosophy of Science Part A 17 (1):99.
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  • The ecological approach to social perception: A conceptual critique.Bernd H. Schmitt - 1987 - Journal for the Theory of Social Behaviour 17 (3):265–278.
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  • The Crisis of Romantic Knowledge: The Role of Information and Ignorance in Times of Romantic Abundance.Aaron Ben-Ze’ev - forthcoming - Topoi:1-10.
    Most crises of knowledge stem from lack of information. The current crisis of romantic knowledge stems from the opposite reason: too much information. The abundance of romantic information is the main reason for this crisis, making the romantic realm more complex, diverse and flexible than ever. In recent times, there has become a significantly greater emphasis on romantic ignorance. Romantic abundance facilitates finding a romantic (and sexual) partner, but is an obstacle for initiating and maintaining enduring, profound romantic relationships. A (...)
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  • The social perception process: Reconsidering the role of social stimulation.David Lawson Smith & G. P. Ginsburg - 1989 - Journal for the Theory of Social Behaviour 19 (1):31–45.
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  • Art in the realist ontology of J. J. Gibson.David R. Topper - 1983 - Synthese 54 (1):71 - 83.
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