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  1. Lévinas’s Philosophy of the Face: Anxiety, Responsibility, and Ethical Moments that Arise in Encounters with the Other.Lewis Liu - 2024 - Human Affairs 34 (3):440-459.
    Lévinas’s philosophy emerges from his critique of the traditional sources of Western philosophy and employs phenomenological methods to transcend the conventional theology and ethics of subjectivity. Through a series of inquiries, Lévinas expands the narrow philosophical vision and problem domain related to the philosophy of the Other. This study examines the profound impact of Lévinas’s philosophy on contemporary philosophy and human society, particularly its elucidation of people’s anxiety, confusion, and overwhelm with the ethical dimension of life in postmodern society. In (...)
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  • IT-ethical issues in sci-fi film within the timeline of the Ethicomp conference series.Anne Gerdes - 2015 - Journal of Information, Communication and Ethics in Society 13 (3/4):314-325.
    Purpose– This paper aims to explore human technology relations through the lens of sci-fi movies within the life cycle of the ETHICOMP conference series. Here, different perspectives on artificial intelligent agents, primarily in the shape of robots, but also including other kinds of intelligent systems, are explored. Hence, IT-ethical issues related to humans interactions with social robots and artificial intelligent agents are illustrated with reference to: Alex Proyas’ I, Robot; James Cameron’s Terminator; and the Wachowski brothers’ Matrix. All three movies (...)
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  • Iconic wonder: Pavel Florensky’s phenomenology of the face.Alexander V. Kozin - 2007 - Studies in East European Thought 59 (4):293-308.
    The key focus of this essay is the experience of encountering divine wonder in things. The examination of the divine encounter is staged against the phenomenological backdrop. Specifically, the concept of the divine wonder is taken in its original, Husserlian, definition as Verwunderung and is traced via Levinas and his concept of face to the early 20th century Russian philosopher, Pavel Florensky, whose 1922 essay “Iconostasis” approaches divine representation in icon painting explicitly and consistently as a phenomenon of wonder. More (...)
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