This paper analyses the déjà-vu experience in order to deepen the understanding of the complex nature of time-consciousness from a phenomenological point of view. The paper is divided into two sections: the first section focuses on Bergson’s research on déjà vu in order to assess the validity of his position; the second section describes a specific form of déjà-vu experience from a phenomenological perspective. This investigation will question the widespread assumption according to which déjà vu should be conceived as a (...) disturbance of the memory of the past. On the contrary, the author shows that the disturbance primarily pertains to the dimension of the future. In order to understand this phenomenon, it is necessary to focus on the coherent deformation of the immediate expectation of the imminent future. (shrink)

In the perspective of the philosophical archaeology proposed, here, the arkhé towards which archaeology regresses must not be understood in any way as an element that can be situated in chronology ; it is, rather, a force that operates in history—much in the same way in which Indoeuropean words express a system of connections among historically accessible languages, in which the child in psychoanalysis expresses an active force in the psychic life of the adult, in which the big bang, which (...) is supposed to have originated the universe, continues to send towards us its fossil radiation. But the arkhé is not a datum or a substance. It is much rather a field of bipolar historical currents within the tension of anthropogenesis and history, between point of emergence and becoming, between arch-past and present. And as such—that is to say, to the extent to which it is something that it is necessarily supposed to have factually happened, and which yet cannot be hypostatized in any chronologically identifiable event—it is solely capable of guaranteeing the intelligibility of historical phenomena, of ‘saving’ them archaeologically within a future perfect, yet not grasping its origin, but rather its history, at once finite and untotalizable. (shrink)