This essay reconstructs James Bernauer’s reading of Foucault’s critique of psychoanalysis in his essay “Oedipus, Freud, Foucault” in order to assess the role that Foucault’s critique of psychoanaly...

One of the main influences on Judith Butler‘s thinking has been the work of Michel Foucault. Although this relationship is often commented on, it is rarely discussed in any detail. My thesis makes a contribution in this area. It presents an analysis of Foucault‘s work with the aim of countering Butler‘s representation of his thinking. In the first part of the thesis, I show how Butler initially interprets Foucault‘s project through Nietzschean genealogy, psychoanalysis and Derridean discourse, and how she later (...) develops this interpretation in line with the progress of her own project. In the main part of the thesis, I present an analysis of Foucault‘s thinking in the period from The Archaeology of Knowledge (1969) to The History of Sexuality volume 1 (1976). This analysis focuses on the aspect of his work which has most influenced Butler‘s thinking: namely the notion of a relationship between knowledge, discourse and power. The other issues in his work which Butler addresses—genealogy, the subject, the body, abnormality, and sexuality—are discussed within this framework. I show how, in the early 1970s, Foucault develops the notion of power-knowledge, and sets out a relationship between power-knowledge and discourse which is overlooked by Butler. I argue that Butler interprets Foucaultian power through the notions of repression and social norms, and ignores the concepts of technology and strategy which form a key part of Foucault‘s thinking. I show how, from The Archaeology of Knowledge on, Foucault develops a socio-historical ontology and a genealogy of the subject, both of which are at variance with Butler‘s interpretation of his thinking. (shrink)

The medical humanities are often implemented in the undergraduate medicine curriculum through injection of discrete option courses as compensation for an overdose of science. The medical humanities may be reformulated as process and perspective, rather than content, where the curriculum is viewed as an aesthetic text and learning as aesthetic and ethical identity formation. This article suggests that a “humanities” perspective may be inherent to the life sciences required for study of medicine. The medical humanities emerge as a revelation of (...) value inherent to an aesthetic medicine taught and learned imaginatively. (shrink)

This article examines the impact of `exile' — as an individual or collective experience — on how human experience is theorized. The relationship between `exile' and thought is initially approached historically by looking at the period that Eric Dodds famously called the `age of anxiety' in late antiquity, i.e. the period between the emperors Aurelius and Constantine. A particular interest is in the dynamics of `empire' and the concomitant religious ferment as a context in which `exile', both experientially and symbolically, (...) appears to assume an overbearing significance. Plotinus' narrative of emanation and epistrophe as well as a group of narratives often classified as `Gnosticism' are juxtaposed as two radical examples of a wider spiritual trend at the time according to which `exile' could be considered constitutive of human experience. By way of an historical analogy, the insights gained from this study of late antiquity are then used to guide an analysis of the current, `restless' epoch, in which experiences of displacement and exile on a mass scale undermine traditional notions of belonging, thus reviving the gnostic vision of cosmic reality as an alien, exilic environment. The article concludes with a discussion of Jacques Derrida's work as an example of contemporary gnosticism, in which a `metaphysics of exile' is presented in the disguise of an `exile from metaphysics'. (shrink)

In an archived draft at the Bibliothèque nationale de France, Foucault describes two questions haunting him since 1963: “Why are we obliged to tell the truth about ourselves? Which truth?” Foucault poses these two questions in 1980 in drafts for his lectures at the University of California, Berkeley, and I see in these two questions two argumentative threads that weave through Foucault's changing History of Sexuality series over his last decade. These two threads correspond to the dimorphism Foucault frames in (...) Part III of Confessions of the Flesh between confessing monks and married men, that correlates with the distinction between “veridiction” and “juridiction” as two forms relating subjectivity and sexuality. To help tease out these threads, I make two recommendations for how to read Confessions of the Flesh in this following review essay: (1) situate Confessions of the Flesh in relation to Foucault's History of Sexuality series which spans his last decade from 1974 to 1984 and (2) untangle two major threads of Confessions of the Flesh in Foucault's treatment of Cassian and Augustine, as progenitors of veridiction and juridiction respectively, which together produce the conditions for modern disciplinary subjects. (shrink)

Relying on the form of the matter, as well as the content, this article is a playful and lyrical re-thinking of Foucault’s radical move to re-claim ‘otherness’ and the ‘other’ as ‘ecstatic’ fetish. Posed as such, ‘otherness’ and the technologies of identity this implies, neither stands as an opposition to Being/being nor as the ‘that’ which does not fit in. In this move, something rather peculiar also comes to light: a politics of the ethical that no longer relies on the (...) mastery of logos. Indeed, it relies, on a radical ‘non-mastery’, a ‘beheaded mastery’; a kind of ‘coming’ without ‘be’. Could it be said that therein lies the beginning threads for a wholly different conception of freedom and democracy, not to mention the ‘I’ of this ‘me’? (shrink)

This thesis undertakes a systematic, tripartite analysis of the interactions between the fiction and essays of Thomas Pynchon and the philosophy of Ludwig Wittgenstein, Michel Foucault and Theodor W. Adorno, resulting in a solid set of original reference-material for those undertaking work on Pynchon and philosophy, or more generally on philosophico-literary intersections. Premised upon the notion that Pynchon's literature harbours a fundamental hostility to much systematizing philosophical thought, this work avoids a dominating imposition of philosophy, or an application of philosophical (...) thought as a validating Other, by examining those aspects of Pynchon's work that seem ill at ease with, or aggressive towards, aspects of each philosopher's thought. This is explored through the concept of an intra-textual polyvocality and relational situation of philosophical intersection; when Wittgenstein is cited, for instance, who is speaking and what are the connotations of that placement? I do not propose, therefore, a Wittgensteinian / Foucauldian / Adornian Pynchon, but rather explicitly highlight excluded aspects of thought to instead develop a complementary reading; a form of intersubjective triangulation. This polyvocality is examined from a univocal perspective. The specific conclusions of this work re-situate Pynchon, in many cases against forty years of critical consensus, as a quasi-materialist or at least anti-idealist, a regulative utopist and a practitioner of an anti-synthetic style akin to Adorno's model of negative dialectics. In a broader sense, it answers the questions regarding hostility towards philosophical thought in Pynchon's work by demonstrating that no single philosophical standpoint has yet to totally resonate with even one of his novels. Simultaneously, it also shows that a profitable approach can be found in the spaces of philosophical overlap and divergence. (shrink)