The idea of nihilism continues to figure prominently in philosophical debates about the problems of modernity. The aim of this article is to consider how Richard Rorty’s work might advance these debates. The article begins with a discussion of the problem of nihilism as it appears in the recent exchange between Charles Taylor, Hubert Dreyfus and Sean Kelly. It then brings Rorty into the conversation by considering his reflections on egotism and his proposed antidote to it: self-enlargement. I propose that (...) self-creation and solidarity, two key ideas of Rorty’s earlier work, should be understood as redemptive paths to self-enlargement. With this interpretation in place, Rorty can be seen as offering an alternative perspective on the problem of nihilism, one that compares favourably with those put forward by Taylor, Dreyfus and Kelly. (shrink)

Rorty uses the private–public distinction as a conceptual tool to uphold the ideal of self–creation (Romanticism) simultaneously to the ideal of solidarity (Enlightenment liberalism). The difficulty of accommodating these two apparently opposing ideals has led Rorty to make inconsistent and contradictory claims about the private–public distinction. This article suggests a way of easing the tension that exists around Rorty’s formulations of the distinction. It does so by turning to the thematic of “self–enlargement” to be found in Rorty’s later writings. By (...) presenting self–enlargement as a common feature of self–creation and solidarity, this reading opens up a way of reconciling these two ideals and mitigating some of the difficulties in Rorty’s private–public distinction. (shrink)

It is curious why a secular pragmatist like Richard Rorty would capitalize on the religiously-laden concept of redemption in his recent writings. But more than being an intriguing idea in his later work, this essay argues that redemption plays a key role in the historical development of Rorty’s thought. It begins by exploring the paradoxical status of redemption in Rorty’s oeuvre. It then investigates an overlooked debate between Rorty, Dreyfus and Taylor that first endorses the concept. It then contrasts Rorty’s (...) notions of essentialism and edification to link redemption to self-transformation. After providing a historical legitimation to the idea of redemption, the essay reconstructs Rorty’s modern version of the concept. Redemption for Rorty centers on human relationships and not religion or philosophy; it is also pluralist and liberal in character. Finally, it concludes that Rorty uses redemption—a primary component of religious language—to capture the salvific force of religion. This power is redirected toward the protection of secular, democratic hopes, which are demanding and fragile by nature. (shrink)

Unlike our counterparts in Europe who have rewritten their specific cultural philosophical heritage, American feminists have not yet critically reappropriated our own philosophical tradition of classical American pragmatism. The neglect is especially puzzling, given that both feminism and pragmatism explicitly acknowledge the material or cultural specificity of supposedly abstract theorizing. In this article I suggest some reasons for the neglect, call for the rediscovery of women pragmatists, reflect on a feminine side of pragmatism, and point out some common features. The (...) aim is to encourage the further development of a feminist revisioning of pragmatism and a pragmatist version of feminism. (shrink)

Certain features of Richard Rorty's account of liberal irony have provoked serious moral criticisms from some of his peers. In particular, Rorty's claim that anything can be made to look good or bad by being redescribed has struck some philosophers, such as Richard Bernstein and Jean Bethke Elshtain, for instance, as morally outrageous. In this article, I examine these criticisms and clarify the meaning and implications of Rorty's position. I argue that a more careful reading of Rorty reveals that his (...) position is not morally objectionable or depraved. Instead, the idea that anything can be made to look good or bad by being redescribed is an important insight that fosters tolerance, moral imagination and novel self-creation. In the concluding sections of this article, I address as well possible tensions between Rorty's account of redescription and his endorsement of truthfulness and the role that his private–public split plays in alleviating these tensions. Key Words: contingency • democracy • irony • public–private distinction • redescription • Richard Rorty • self-creation • truthfulness. (shrink)