Issues relating to diversity and pluralism continue to permeate both social and political discourse. Of particular contemporary importance and relevance are those issues raised when the demands associated with forms of pluralism clash with those of the liberal state. These forms of pluralism can be divided into two subcategories: thin and thick pluralism. Thin pluralism refers to forms of pluralism that can be accommodated by the existing liberal framework, whereas thick pluralism challenges this liberal framework. -/- This thesis is an (...) examination of four forms of political association that may be able to accommodate and support the demands of pluralism. These four models are Rawls’ political liberalism, Crowder’s value pluralism, Rorty’s post-foundational liberalism, and Mouffe’s radical democratic project. What unites these four forms of political association is their capacity to avoid the exclusionary effects of a form of liberalism that I, following Gaus, refer to as Enlightenment liberalism. As the name suggests, this conception of liberalism is anchored in the Enlightenment, and in particular with what may be considered as the Enlightenment view of reason. As such, therefore, Enlightenment liberalism is both universal and perfectionist. In this context, I argue that Enlightenment liberalism is a species of what Berlin refers to as ‘moral monism’. -/- These four forms of political association are ordered in such a way as to chart an intellectual trajectory. Rawls and Crowder are both situated firmly within the liberal tradition, whereas Rorty and Mouffe move beyond this, and embrace a form of post-foundational politics. It is in this trajectory that the second theme of this thesis emerges. This is centred on a paradox: in order to avoid the exclusionary effect of Enlightenment liberalism and embrace a form of political association that meets the demands of pluralism and diversity, the models examined still promote autonomy as the dominant virtue. (shrink)

While it is clear what those attracted to fascism today are against, it is less clear what they are for. Not in the sense of how they want to remake society—this is usually clear enough. What is less clear is the fundamental values that are driving their desire to create a different kind of order. Compounding this difficulty, too many liberals are stubbornly sticking to some conventional beliefs: that human nature is as liberals think it is, not something that is (...) fundamentally disputed; that facts are what liberals think they are, even if some people choose to ignore them; and that everybody is pursuing basically the same conception of the good, even if some of them are deluded as to where we are now and how to get where we want to go. -/- But this move to the right is not being driven simply by mistakes; it is a principled move, backed by a coherent, consistent, and historically well-sourced value system, even if this value system is perverse. Fascism has its own conception of the moral subject; of the need for a rigid social hierarchy of men; of the nature of individual rights; and of the importance of purity in blood, soil, and ideology. It believes in the unity of the people, the leader, and the state; it embraces very different and (to liberals) often disturbing moral ends; and it employs starkly different rules of social interaction. And it believes, in the end, that this all leads to the greatest expression of democracy ever invented. (shrink)

ABSTRACT This work explains the practical benefits of a new and pluralistic notion of empathy that I call relational empathy. Rather than defining empathy as a thing or an activity, as most scholars have done, I define empathy as a set of three conceptually distinct though experientially overlapping relations: the relations of feeling into, feeling with, and feeling for. I then turn to historical discourses about empathy from the late 1700s to the present to demonstrate how different conceptualizations and definitions (...) of empathy during this time span are descriptions of one, two or all three of these relations. I then explain how relational empathy has the potential both to dissolve mere verbal disputes about what empathy is and to shift our attention away from narrowly conceived theories about the ‘nature’ of empathy and toward more practical concerns. Finally, I explain how my theory of relational empathy can help to resolve a number of problems throughout the healthcare system. (shrink)

RESUMO O presente artigo discute o papel de Christian Thomasius como pioneiro da Aufklärung, bem como a especificidade desta no contexto mais amplo do Iluminismo. A partir de uma discussão sobre os recentes estudos acerca do Iluminismo, será extraída uma diretriz interpretativa para avaliar a peculiaridade política e filosófica da Aufklärung. ABSTRACT This paper discusses the role of Christian Thomasius as a pioneer of the Aufklärung and the specific position of the latter in the broader context of the Enlightenment. Departing (...) from a review of recent studies on the Enlightenment, this paper will draw an interpretative guideline to assess the political and philosophical peculiarity of the Aufklärung. (shrink)

To date, critical engagement with Arnold Hauser’s sociology of art has been confined to the field of art history. This perspective has ignored Hauser’s interest in literary history, which I argue is essential to his project. Hauser’s dialectical model, composed of conflicting realist and formalist tendencies, extends to the literary sphere. In The Social History of Art, these two traditions are epitomised by the Russian social novel and German idealism. Anti-enlightenment tendencies in German intellectual culture provide Hauser with evidence of (...) idealism’s propensity for escapism and reaction. Conversely, he extols the Russian social novel as the naturalistic art form par excellence. Because the intelligentsia is central to Hauser’s understanding of the formation of literary culture, this paper provides an outline of his sociology of intellectuals. Through a comparison of the German and Russian literary intelligentsia, this paper shows that Hauser’s analysis of literature is often more complex than his sociological interpretations of the visual arts. (shrink)