The main goal of this paper is to argue that Anglo-American philosophy and Continental philosophy should work together within the arena of the philosophy of sport. To do so, the concept “communicative community”, which is found in Habermas’ and Apel’s discursive ethics, will be analyzed and applied to sports. As several authors, such as Raúl Sebastian Solanes, Robert L. Simon and William J. Morgan, have done this task before, I will critically analyze their proposals. In so doing, I will show (...) that in order to make sense of contemporary sports we need a more integrative communicative sporting community than the ones proposed so far in the literature. (shrink)

Perhaps no other aspect of Hans-Georg Gadamer's Wahrheit und Methode has generated more controversy and caustic criticism than his attempt to defend the role of ‘prejudice’ in human understanding. Gadamer's goal in challenging what he calls ‘the Enlightenment's prejudice against prejudice’ is not to defend irresponsible, idiosyncratic, parochial or otherwise self-willed understanding in the human sciences, but to argue that all human cognition is ‘finite’ and ‘limited’ in the sense that it always involves, to borrow Polanyi's phrase, a ‘tacit dimension’ (...) of implicit judgments, concerns, or commitments which shape definitively our grasp of the subject matter in ways we cannot anticipate or control. This implies a ‘finite’ or ‘limited’ view of human understanding in at least two ways. First, Gadamer seems to use the word ‘finite’ in conscious opposition to Hegel's notion of an ‘infinite’ intellect. For Hegel the ‘infinite’ was the ‘unconditioned’ and ‘self-determining’. An ‘infinite’ intellect would be its own master, an autonomous, spontaneous source of all its essential activities and contents. (shrink)

This paper poses a relationship between pragmatist understandings of intersubjective communication and long-term “dialogical art” practices promoting social change. Art historian Grant Kester contends that two dialogical art projects by Suzanne Lacy and Austrian Art collective WochenKlausur reflect Habermas’ theory of communicative action through which the “better argument” is universally validated. Kester simultaneously acknowledges such projects inculcate non-competitive modes of intersubjective exchange that appear contrary to Habermas. I look at the “philosophical narrative” debates between Richard Rorty and Habermas to suggest (...) that Rorty’s eschewal of Habermasian rationalization in favor of affective modes of contingent solidarity, taken with Nancy Fraser’s understanding of enmeshed public/private discourse in the context of feminist counterpublics, draws out the political-ethical orientation of activist dialogical art practices. (shrink)

Critically engages the work of American philosopher Richard J. Bernstein.