Authors and printers together created the New Book of Nature—the printed literature of science—in early modern Europe. Careful attention has been given in recent years to the development of literary and rhetorical techniques in science. This article proposes that these developments were linked to printing technology and the typographic culture that produced the early printed book of science. We focus on several cases in which the roles of author and printer-publisher were joined and thereby highlight connections between knowledge production and (...) reproduction during the Scientific Revolution. Examples include Regiomontanus, Tycho Brake, Galileo, William Leybourn, Joseph Moxon, and the collective practices and privileges of the Royal Society of London and the Paris Academy of Sciences. (shrink)

This article proposes that a general theory of assessment of historical testimony should do justice to the long tradition of adjudication in accordance with maxims of reliability and competence. I argue that an explanatory genealogical theory (along lines first adumbrated by Charles Seignobos) satisfies this condition, and that it has further notable virtues: respect for the strengths of rival theories, regard for the links between adjudication of testimony and other basic procedures of historical inquiry, and the promise of profitable lines (...) of investigation. (shrink)

The aim of this paper is to give a self-reflective account of the building of Galileo's pendulum in order to discover what were the practical contingencies of building and using the pendulum for demonstrating the law of isochronism. In doing this, the unique Lebenswelt structures of Galilean physics are explicated through the ethnomethodological concepts developed by Harold Garfinkel. The presupposition is that the practical logic of Galilean physics is embedded in the instruments themselves. In building the pendulum and recovering its (...) original use, Galilean physics becomes for ethnomethodologists a first-hand practical discovery. This is not a reconstruction of the mind of the historical Galileo but, rather, an explication of Galileo's practical perspective on the instrument as an intersubjective and interchangeable standpoint available for ethnomethodological analysis. This enables us to study historical facts from the standpoint of the practical logic of the original practice with a pedagogical eye for the instructive reproducibility of science. (shrink)

This article places the famous images of Johannes Hevelius's instruments in his Machina Coelestis in the context of Hevelius's contested cometary observations and his debate with Hooke over telescopic sights. Seen thus, the images promote a crafted vision of Hevelius's astronomical practice and skills, constituting a careful self-presentation to his distant professional network and a claim as to which instrumental techniques guarantee accurate observations. Reviewing the reception of the images, the article explores how visual rhetoric may be invoked and challenged (...) in the context of controversy, and suggests renewed analytical attention to the role of laboratory imagery in instrumental cultures in the history of science. (shrink)

Early nineteenth-century natural history books reveal that British naturalists depended heavily on correspondence as a means for gathering information and specimens. Edward Newman commented in hisHistory of British Ferns: ‘Were I to make out a list ofallthe correspondents who have assisted me it would be wearisome from its length.’ Works such as William Withering'sBotanical Arrangementshow that artisans numbered among his correspondents. However, the literary products of scientific practice reveal little of the workings or such correspondences and how or why they (...) were sustained. An exchange or letters is maintained if the interests of both recipient and writer are satisfied. Withering's book tells us only that his interests were served by his correspondents; it allows us to say nothing with certainty about the interests of those who wrote to him. Published texts effectively hide the means by which the author determined the veracity of distant correspondents and also the way these informants demonstrated their credibility. (shrink)