Among the many tensions and oppositions in play in the early twentieth century, one—the divide between classical and modern physics—has retrospectively overshadowed our understandings of the period. This paper investigates when and why physicists first started using the term ‘classical’ to describe their discipline. Beginning with Boltzmann and ending with the 1911 Solvay Congress, on a broad scale this story constitutes a powerful instance of the circulation of a rich cultural image. First deployed in understandings of literature, music, art and (...) schooling, the concept of the classical within the physics community came to be invested with a highly specific meaning, which in turn formed the basis for the widespread popularization of a new physical worldview after World War I. But on a finer scale, displaying the diverse, contrasting and controversial concepts of classical theory invoked by different physicists around 1900, and charting the emergence of our present understanding with the rise of relativity and quantum theory, reveals significant tussles over the meaning and value of different intellectual approaches. Here I use these tensions to investigate the interrelations between research programs and the broader, framing concepts with which physicists describe their experience of disciplinary change.Keywords: Energetics; Statistical mechanics; Relativity; Quantum theory; Classical physics; Ludwig Boltzmann. (shrink)

In this paper, I enrich the context of Wittgenstein's Tractatus given over a decade ago in my book Witttgenstein Flies A Kite (and related earlier works dating from 2000). I've since located a sketch reprinted from a 1914 Paris magazine showing a lawyer using a model bus and dolls to depict a traffic accident; I present it here along with a discussion of the modelmaker movement of that time. The modelmaker movement was a movement at the intersection of popular culture (...) and technical expertise that really needs to be understood and recognized in discussing Wittgenstein's use of Modell and Bild. I discuss its role in relation to experimental models used in scientific research. Other new aspects presented here include: the very special role of model-fl ying clubs (known in Germany as Modell-Flugverein); the use of scientific forensics in courts of law, really just beginning then (c. 1914), and a part of popular culture as well; the significance of more recent work by others on Boltzmann's personal interest in flight, and on the widespread but now-forgotten discussion of dimensional analysis in the history of physics. I conclude that all these lend support to the views on the Tractatus I laid out in my book, and summarize and elaborate on some of them here, inasmuch as space permits. More generally, I argue that the philosophical community interested in interpreting Wittgenstein's early works stands to gain from becoming better acquainted with the scientific and technological developments of the milieu in which they were conceived. (shrink)

It is one of the distinctive claims of Neurath, though not of the Vienna Circle generally, that the Vienna Circle's philosophy was not really German philosophy at all. The relation is, if Neurath is to be trusted, anything but straight-forward. To understand it, not only must some effort be expended on specifying Neurath's claim, but also on delineating the different party-lines within the Vienna Circle.

The history of science has often been presented as a story of the achievements of geniuses: Galileo, Newton, Maxwell, Darwin, Einstein. Recently it has become popular to enrich this story by discussing the social contexts and motivations that may have influenced the work of the genius and its acceptance; or to replace it by accounts of the doings of scientists who have no claim to genius or to discoveries of universal importance but may be typical members of the scientific community (...) at a particular time and place. In this article I consider a different type of story, which further research might reveal to be more common than we now suspect: progress stimulated by gadflies – outspoken critics who challenge the ideas of geniuses, forcing them to revise and improve those ideas, resulting in new knowledge for which the genius gets the credit while the gadfly is forgotten. (shrink)

This dissertation investigates the origin, intellectual development and use of a semantic variant of the idea of logical space found implicitly in Kant and explicitly in early Wittgenstein and van Fraassen. It elucidates the idea of logical space as the idea of images or pictures representative of reality organized into a logico-mathematical structure circumscribing a form of all possible worlds. Its main claim is that application of these images or pictures to reality is through a certain conception of self. The (...) first chapter presents a novel interpretation of Kant’s semantic theory of schemata in the Critique of Pure Reason, showing that a structure of the imagination induced by the transcendental self informs an implicit idea of logical space. The second chapter offers an intellectual history of the idea through developments in the organization of images introduced by Helmholtz and Hertz. The third chapter reveals early Wittgenstein’s idea of logical space to be his notion of the self, demonstrating how this serves to unify propositions of the Tractatus Logico-Philosophicus concerning solipsism, realism, ethics, aesthetics and mysticism with those pertaining to the picture theory of meaning. The fourth chapter provides a historical overview of the development of van Fraassen’s empiricism in relation to his adaptation of logical space, and evaluates his recent proposal in Scientific Representation: Paradoxes of Perspective that the problem of coordination in the semantic view of theories is dissolved through self-location in logical space. After identifying a number of problems this proposal creates for his empiricism, a brief suggestion is made about how van Fraassen might improve upon his conception of logical space, and how an empiricist view of scientific representation might be understood as a result. (shrink)