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  1. Visual Arguments and Moral Causes in Charity Advertising: Ethical Considerations.Ioana Grancea - 2015 - Symposion: Theoretical and Applied Inquiries in Philosophy and Social Sciences 2 (2):167-185.
    Social advertising often employs persuasive imagery in support of a morally laden cause. These visual arguments can take the form of veridical representations of the given situation or the form of purposeful visual blends. Both visual routes to persuasion have serious ethical issues to confront. In what concerns the purportedly veridical images, controversies about picture retouching and framing have cast many doubts on their success in offering unmediated access to a given reality. Editorial interests have proven far too influential on (...)
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  • ‘A power that deifies the human and humanizes God’: the psychodynamics of love and hypostatic deification according to Maximos the Confessor.Luis Josué Salés & Aristotle Papanikolaou - 2017 - International Journal of Philosophy and Theology 78 (1-2):23-38.
    ABSTRACTMaximus the Confessor has been the subject of numerous subsets of the historical, philosophical, and theological disciplines, but the prominent role virtue – and above all else love – plays in his corpus remains vastly underexplored or misunderstood in secondary scholarship. The ascetic thinker’s understanding of virtue is fascinating in its own right since it implies and decodes the enormity of his theological vision by serving as the locus in and through which the created and the uncreated encounter each other. (...)
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  • The genetic mechanism of fallness: St. Maximos the Confessor revisited.Sebastian Moldovan - 2021 - HTS Theological Studies 77 (4):1-8.
    Through a close reading of the two definitions of evil in the Introduction to Responses to Thalassios, this article points out a circular, cognitive-affective-somatic, genetic mechanism that St. Maximos the Confessor considers responsible for the initiation and transmission of the fallness as a human condition and the specific manifestation of it in the form of passions. It elucidates the first definition as mainly phenomenological, by identifying the circular mechanism and its behavioural expressions, and the second definition as more aetiological, by (...)
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