_ Source: _Volume 37, Issue 1, pp 5 - 22 Erasmus’ famous elusiveness can be linked to a marked preference for media and genres that allowed for a _persona_, a mask, behind which the ‘real’ Erasmus could disappear at will. This article seeks to identify the literary, rhetorical and above all dialectical patterns Erasmus made use of in order to separate man and argument and to distance speaker and enunciation. This does not only refer to Erasmus’ familiarity with satirical and (...) rhetorical devices, but also to his ingenious emulation of debating techniques that were common practice among the schoolmen he attacked so fervently. Erasmus’ famous ambiguity and eel-like quality is, at least in some high-profile cases, owed to his ambition of establishing declamation as an equivalent to scholastic controversial formats. Some of his most famous texts are testimony to the attempt of constructing a debating arena in print. (shrink)

Journal Name: Philologus Issue: Ahead of print.

According to scholars of masculinity studies, manhood is won or lost through the performance of gender-based expectations. In any given culture, masculinities exist in hierarchal relationships. The author of the book of Acts shows Peter demonstrating elite masculine performances in the narrative of Acts. Through Peter’s self-control, and the lack of self-control on the part of those who oppose him, his persuasive, public speech and his ability to control others in the text, Peter exhibits a masculinity that contradicts early portraits (...) of Peter found in 1 Corinthians and the gospels of Matthew, Mark and John. Peter is not overcome by other people in Acts, and he demonstrates a masculinity that is complicit with the types of masculinities prized by the Romans and often considered out of the reach of foreigners. (shrink)

Based on a full reading of the Plautine corpus in light of theories of class resistance, this essay argues that the palliata grew up in the 200s bce under conditions of endemic warfare and mass enslavement, and responded to those conditions. Itinerant troupes of slaves and lower-class men performed for mostly humble audiences, themselves familiar with war and hunger; the best of these troupes were then hired to perform at ludi in the cities of central Italy. The first sections of (...) the essay look at types of speech and action in the plays in which slave or poor characters make use of these shared experiences: jokes about flogging and hunger, fantasies of revenge and escape, double speech. The latter sections examine the evidence for lower-class constituencies in the 200s bce and for actors, writers, and venues to match, arguing that none of these categories can be treated monolithically. (shrink)

This article investigates the interplay of agriculture and writing in the elder Cato's aristocratic self-fashioning . I argue that the De Agricultura represents Cato and his contemporaries as individual, small-plot farmers by making explicit the agricultural inflection of a more general masterly extensibility, i.e., that slaves were prosthetic tools with which owners accomplished various tasks, a move that in turn reveals the ubiquitous, assiduous “labor” of the individual owner. The preface's valorization of small-plot farmers, past and present, contextualizes the owner's (...) “labor” both culturally and historically , and thereby seeks to bridge the agricultural and temporal divide that separates Cato and his contemporaries from their esteemed predecessors. (shrink)

This essay offers a new assessment of the role of women in Tacitus’ Dialogue on Orators and of their significance for Tacitus’ analysis of regime change. The women of the Dialogue have received only cursory scholarly attention: they appear briefly in Messalla’s diatribe on the decline of Roman education, when he contrasts the virtuous mothers of the Republic with the enslaved nurses who rear children in his own period, when an emperor rules in Rome. Yet Messalla’s exemplary mothers undermine his (...) own interpretation of Roman history, and his description of the household ruled by slaves foreshadows Maternus’ account of Republican politics at the conclusion of the text. Women in Messalla’s speech challenge ideas of decline in the Dialogue and represent the possibility of practicing politics even in restrictive circumstances. (shrink)