This paper examines the role of the generation gap in Aristophanes' construction of his persona throughout Wasps, Clouds, and Peace. It contends that in Wasps and Clouds Aristophanes defines the relationship with his audience and his rivals by presenting himself as the figure of a paternal son. The same stance shapes the comic poet's generic self-positioning in the initial scene of Peace, where the parody of Euripides' Aeolus and Bellerophon evinces a corrective attitude in relation not only to the troubled (...) images of fatherhood offered in the two tragic plays, but also to Aristophanes' unsuccessful performances as a paternal son in his earlier comedies. Euripidean intertextuality thus serves as a discursive medium through which Aristophanes dramatizes the turning points of his poetic autobiography. (shrink)

Drawing on themes found in James Marshall's writings on Nietzsche, the arts and the self, this paper explores the nature of influence in the arts and its relevance to education. It considers what Harold Bloom has called the ‘anxiety of influence’ and amplifies this in terms of broader questions concerning Emersonian self‐reliance. The particular twist these matters take in the lives of adolescents presents special problems for education in the arts—not least in view of the dangers of self‐deception, affectation and (...) pretentiousness—and raises in turn questions about the relation between high art and popular art. These matters connect also with questions concerning the kinds of vocabularies and ways of thought into which young people need to be initiated if they are to develop creatively and authentically. (shrink)

Aksumite elites electively identified themselves as “black” in relation to the paler integument of other Mediterranean peoples. Prior to the fourth century CE, the proper noun Aithiopía referred to the area of northern Sudan. Aksum, however, deliberately appropriated the Greek term for its own geopolitical purposes, partly as a way to write itself both into the grand narratives of Graeco-Roman history, where “Ethiopians” recurrently figure as morally “blameless,” as well as—with their conversion to Christianity—into Old and New Testamental eschatologies that (...) consistently position “Ethiopians” as first in the sight of God. This process of self-definition—achieved under the formative gaze of Hellenic, Roman, and Levantine Others—ultimately allowed ‘Ityȯpyā to become a key, if nonetheless still liminal and rogue, player in the post-Constantinian politico-religious arena, in such a way that both economic and cultural capital accrued to the benefit of Aksum. (shrink)

This paper offers an intellectual portrait of the French psychoanalyst, Jacques Lacan, by considering his incorporation of perspectives associated with “modernism,” the artistic and intellectual avant-garde of the first half of the twentieth century. These perspectives are largely absent in other alternatives in psychology, psychiatry, and psychoanalysis. Emphasis is placed on Lacan’s affinities with phenomenology, a tradition he criticized and to which he is often seen as opposed. Two general issues are discussed. The first is Lacan’s unparalleled appreciation of the (...) paradoxical nature of human experience, together with his treatment of paradox as almost a criterion of truth. These points are illustrated by considering Lacan’s conceptions of the self and of erotic desire. The second issue is Lacan’s focus on the “ontological dimension,” on overall styles or modalities of what might be termed “transcendental subjectivity”: namely, what he calls the registers of the “Imaginary,” the “Symbolic,” and the “Real.” By emphasizing the incommensurable yet interdependent nature of these modalities, Lacan offers a synthesis of dynamic/conflictual and formal/ontological dimensions of the human condition. This paper offers an encompassing portrait of Lacan’s major ideas that is at odds with the widespread assumption that Lacan is somehow a deeply anti-humanist thinker who derides the subjective dimension. Lacan’s most distinctive contributions are fundamentally concerned with the nature of human experience. They show strong affinities with hermeneutic forms of phenomenology inspired by Heidegger, a philosopher who focused on ontological modes of Being and considered paradox as a mark of truth. (shrink)

Vladimir Nabokov, Russian-American novelist and lepidopterist, was neither a didactician nor a moralist. His images, which he painted with his words, are deceptive and contradictory. But the strangest thing happens. It turns out that Nabokov disliked Freud and painted images of the psychoanalyst that seem to become stale and mechanical. Literary critics, philosophers, and others have had a tendency to criticize Nabokov for suffering from influence-anxiety when it comes to Freud, hence making Nabokov into a dull paternalist with strong and (...) prejudiced convictions. My suggestion is that we go beyond the ‘anxiety of influence’ viewpoint and address the issue through a phenomenological study and base our judgments on the experiences of the phenomena that shine through different texts of Nabokov. Thus it will be possible to see, I argue, that Nabokov’s rhetorical caricature may evoke experiences that are educative. At the same time, Nabokov’s treatment of Freud can be cast in a new light. (shrink)

I examine the ancient and perennial notion of the elements (stoicheia) and its relation to an idea of place proper (topos) and natural place (topos oikeios) in Aristotle's work. Through an exploration of his accounts, I argue that Aristotle develops a robust theory of place that is relevant to current environmental and geographical thought. In the process, he provides a domestic household and home for earth, air, fire and water that offers a supplement or an alternative to more abstract and (...) controversial uses of a conception of 'nature' (physis). I identify and elaborate upon environmental aspects of place-based and elemental philosophy. (shrink)

Two of the principal roles or positions in the aesthetic/artistic situation are those of artist and aesthete. The former is obviously primarily a creative role, while the latter is obviously primarily an appreciative role. And these roles, as we know, are also interdependent: aesthetes would have little, or at any rate less, to appreciate without artists, while artists would have little, or at any rate less, creative motivation without appreciators, with aesthetes as the most important vanguard therein. But what, more (...) significantly, differentiates artist and aesthete? Do the basic impulses of the two tribes coincide, or are they rather in conflict? Is being an artist fully compatible with being an aesthete, or might there be a fundamental tension between those identities? Are the same talents, inclinations, and attitudes essential to being a successful artist those which make for a successful aesthete, or are they at some level at war with one another? These are some of the questions that are explored in this article. (shrink)

(1993). Two conceptual problems for the theory of Evolution: Causality and the explanation of emergence. World Futures: Vol. 38, Theoretical Achievements and Practical Applications of General Evolutionary Theory, pp. 123-129.

The role of reading in educating a future writer is discussed through study of memoirs by writers including Janet Frame, James Baldwin, and Eudora Welty. The memoirs show reading books to have been a transformative way of melding forms of experience. The following features of childhood reading are examined: (1) the role of the physical book, (2) the cognitive-aesthetic-affective impact of letters, words and ‘voices’, (3) the partially unplanned and challenging path of children’s exposure to texts, and (4) absorption of (...) models that can be imitated and outgrown. The discussion links sympathetically to views in philosophy of education about the importance of content and beauty and of influences whose impact cannot be planned, measured or captured as generic skills. The autobiographical evidence considered here suggests that these influences can nonetheless be crucial to expanding learners’ horizons and stimulating their educational and artistic progress. (shrink)

Many philosophers have assumed, without argument, that Wittgenstein influenced Austin. More often, however, this is vehemently denied, especially by those who knew Austin personally. We compile and assess the currently available evidence for Wittgenstein’s influence on Austin’s philosophy of language. Surprisingly, this has not been done before in any detail. On the basis of both textual and circumstantial evidence we show that Austin’s work demonstrates substantial engagement with Wittgenstein’s later philosophy. In particular, Austin’s 1940 paper, ‘The Meaning of a Word’, (...) should be construed as a direct response to and development of ideas he encountered in Wittgenstein’s Blue Book. Moreover, we argue that Austin’s mature speech-act theory in How to Do Things with Words was also significantly influenced by Wittgenstein. (shrink)

The article examines Randall Collins's magnum opus, The Sociology of Philosphies: A Global Theory of Intellectual Change in relation to a number of discourses bearing on the sociology of knowledge and the sociology of philosophies, from Hegel and 19th-century historicism to Mannheim, Foucault, Bourdieu and Gillian Rose's Hegel Contra Sociology. The article explicates Collins's dual theory of intellectual networks and institutional conflict as factors in the explanation of intellectual change. The article interprets Collins's work as a classic application of Durkheimian (...) sociological principles to the analysis of knowledge. However, the article argues that Collins is less successful in accounting for the internal normative motives of inquiry and the problem of what Hegel saw as the claims of reason in history based on the orientation to truth. (shrink)

Nietzsche famously rails against Christian virtues such as humility and compassion. Yet he is well aware that historical Christians, especially those in positions of power, typically preached such values but did not practice them. This raises the question whom Nietzsche is really targeting in his animadversions against Christian virtues. The answer developed here is that his real targets are his contemporaries, including atheist, socialists such as Eugen Dühring, who, with their advocacy of egalitarian, democratic social and political policies, are trying (...) to implement the values Christians long preached but rarely practiced. In nominating moderns, including those who seek the realization of enlightenment liberal democratic values, rather than past Christians, as Nietzsche’s real targets we create space for reconciling Nietzsche’s claim that he accepts the past (as embodied in his doctrine of amor fati) with his project of seeking to open up new possibilities for the future. In the concluding sections the questions are raised to what extent do Nietzsche’s attacks on Christian virtues exhibit the very ressentiment he so vehemently criticises as a source of Christian values, and whether his criticism of the modern social and political implementation of those values is really supported by his own values. (shrink)

This paper examines the undervalued role of Herbert Spencer in Sidgwick's thinking. Sidgwick recognized Spencer's utilitarianism, but criticized him on the ground that he tried to deduce utilitarianism from evolutionary theory. In analysing these criticisms, this paper concludes that Spencer's deductive methodology was in fact closer to Sidgwick's empiricist position than Sidgwick realized. The real source of Sidgwick's unhappiness withSpencer lies with the substance of Spencer's utilitarianism, namely its espousal of indefeasible moral rights.

I reconstruct the relationship between the evolutionary geneticists Theodosius Dobzhansky (1900–1975) and Richard Lewontin (1929–2021). Using archival research and published texts, I show that Lewontin inherited his dissertation director’s research program as well as his “biology of democracy.” He did so in circumstances in which the molecular revolution in genetics was threatening both Dobzhansky’s science and his anti-racist social ideals. Lewontin’s sometimes rocky relationship with the person he called “my professor” sprang from his perception that Dobzhansky was not up to (...) managing the research program that Lewontin received from him. I explain how Lewontin took charge and the role his Marxist interpretive lens plays in his argument. (shrink)

NOT SAUSSURE: A CRITIQUE OF POST?SAUSSUREAN LITERARY THEORY by Raymond Tallis London: Macmillan, 1988. 273 pp., £33 (£10.95 paper).

Résumé Le De rerum natura chante une matière sans frontières afin de permettre à l’homme d’accepter sereinement sa condition mortelle. Le refus lucrétien de l’anthropocentrisme dans l’approche du vivant trouve un large écho dans la pensée de la première modernité. Une lecture attentive des citations du De rerum natura dans l’ “Apologie de Raymond Sebond” montre comment Montaigne s’est approprié les naturae foedera lucrétiens pour penser une relation respectueuse entre l’homme et la nature, fondée sur la notion d’obligation mutuelle. La (...) théorie lucrétienne de la perception et de l’origine du langage informe aussi l’argumentation de Montaigne, qu’il la reprenne à son compte ou s’en démarque. En réfutant le plaidoyer de Pierre Charron en faveur d’une connaissance animale, largement redevable à Montaigne, le médecin Pierre Chanet déclencha une polémique avec Cureau de la Chambre. Bien que non explicite, l’héritage lucrétien pourrait avoir renouvelé l’aristotélisme professé par Cureau. (shrink)

In the midst of greed, corruption, the economic crash and the general disillusionment of business, current conceptions of leadership, organizational values, and authenticity are being questioned. In this article, we fill a prior research gap by directly exploring the intersection of these three concepts. We begin by delving into the relationship between individual values and organizational values. This analysis reveals that the “value fit” approach to creating authenticity is limited, and also indicates that a deeper exploration of the nature of (...) values and the role of leadership is necessary. More specifically, we propose that organizational values should be viewed as an opportunity for ongoing conversations about who we are and how we connect. Through this type of dialogue which we define as “value through conversation”, we can create what we call poetic organizations. A typology of four interconnected values each of which forms a foundation for the critical questioning and inquiry that might be found in poetic organizations is developed. We suggest that this conceptualization offers a new and dynamic approach for thinking about the relationships between leadership, values, and authenticity and has important implications for both research and practice. (shrink)

After tracing the rise in interest in the phenomenon of interpretation to events in the early post-Kantian period, I argue that this development is highly relevant to understanding contemporary philosophy's methodological status and its relation to fields such as science and literature. I argue that much of recent philosophy is best understood in terms of an "interpretive turn" that has now provided philosophy with a modest but valuable and distinctive role. I illustrate the procedure of philosophy in this key by (...) critically appropriating ideas about interpretation advanced by Harold Bloom and Richard Rorty, and by using hints about the role of history that arise from discussions of Kant's notion of genius. (shrink)

I examine skeptical arguments about the constitutive nature of agency, with special attention to those of Elijah Millgram. I suggest that these arguments lead us not to the conclusion that agency has no such nature, but that it is an essentially contested kind in the same way that art is. I argue that this undermines traditional forms of constitutivism in metaethics but opens the door to a different way of pursuing the same program. Finally, I take issue with Millgram’s solution (...) to the problem of “logical aliens” and suggest an alternative based my analogy with art. (shrink)

: This article examines Slavoj Žižek’s reading of F.W.J. Schelling’s Ages of the World from the standpoint of the ontological status of nothingness in Schelling’s idealism as contrasted with Žižek’s methodology of dialectical materialism. Although Schelling’s theosophical theism differs from Žižek’s materialist hermeneutic, Schelling’s thought nevertheless enacts an important breakthrough in Western philosophy that anticipates the dynamics of the Marxist interpretation of the dialectic. In particular, his positing of opposed unconscious drives within the ante-cosmic Godhead prefigures Sigmund Freud’s theory of (...) the death drive. (shrink)

...that is, “Let no-one without knowledge of geometry enter:” the inscription displayed on the entrance to Plato’s Academy reminds us how close the relationships between mathematics1 and philosophy used to be. In this perspective, when we approach the issue of how philosophical inquiry can further maths’ teaching/learning, a sort of archaeological attitude is in order, which delves into the layers of a long history, plumbs the recondite depths of Western thought, and unearths what remains too often concealed either because it (...) is taken for granted or because we have become unable to detect what constitutes the very way in which we think. (shrink)

Musical idioms may appear side by side in a wide variety of historical, group-based or individual compositional styles used in the postmodern compositions. The reception interpretation of musical works is based on the idioms of musical speech as meaningful and expressive constants. Not only do the reveal the positive or negative ties of current musical language to the musical poetics from previous periods, they also update their meanings. The idiomatic musical structures naturally grow into the social system of music and (...) thus become part of the deeper levels of European compositional tradition. Musical meanings are becoming typical for the particular sectors of European musical culture, and may even become their emblem. It is even likely that the idioms cease to be seen as a complex musical structure in the process of reception and they become a plain composition material, singular units of musical language. Using the postmodern composition Apolloopera by Marek Piaček, we illustrate the in-depth reference platform of musical idioms and examine the role of idiomatic units in the structure of a postmodern piece. (shrink)