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Creativity has a special role in enabling humans to develop beyond the fulfilment of simple primary functions. This factor is significant for Artificial Intelligence (AI) developers who take replication to be the primary goal, since moves toward creating autonomous artificial-beings beg questions about their potential for creativity. Using Wittgenstein’s remarks on rule-following and language-games, I argue that although some AI programs appear creative, to call these programmed acts creative in our terms is to misunderstand the use of this word in (...) |
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I argue that philosophical studies of the virtues of creativity should attend to the ways that our conceptions of human creativity may be grounded in conceptions of human nature or the nature of reality. I consider and reject claims in this direction made by David Bohm and Paul Feyerabend. The more compelling candidate is the account of science, creativity, and human nature developed by the early Marx. Its guiding claim is that the forms of creativity enabled by the sciences are (...) |
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An issue consistently raised in the music therapy literature is the lack of a unified understanding of its concepts as well as the reasons for its efficacy. This issue is suggested to be closely linked to problems of scientific establishment of the field. Plenty of discussions regarding the achievability, applicability and even the desirability of such a unified understanding exist in the current literature of music therapy. A question consistently remaining unexplored, however, is that under which circumstances could it even (...) |
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Both scienticity and artistry have been listed in cluster concept definitions for both science and art. However, these clusters have not been considered together before. I contrast and combine these different clusters for the first time, and I argue that doing so better elucidates the properties of the natural sciences, humanities and fine arts than the science and art cluster concepts do separately. This is because all disciplines have varying levels of scienticity and artistry, but this is not captured fully (...) |
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This study examines the piano teaching methodologies used to train final-year undergraduate performance students at four tertiary institutions in Hong Kong. As there is a hierarchical relationship among the philosophies, principles, and methodologies of teaching, this study discusses two chief areas of philosophy, five principles, and six aspects of teaching methodologies that were identified in the literature as being important in the teaching of piano performance. The philosophies include both philosophical ideas and philosophies that are derived from practical experience. The (...) |
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The subjective delight associated with the creative arts poses a well-known challenge to an integrated causal analysis of human psychology. Here we examine the distal causes of art in terms of an irreducibly risky search in a vast phase space of cognition and behavior. To explore means to engage in an activity that may result in a zero or negative payoff. Moreover, you may be unable to assess the risks with any certainty; the costs might spiral out of control. At (...) |
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