Ajan luonnetta koskevissa käsityksissä on tyypillistä erottaa kaksi eriävää kantaa: A-teoreettinen presentismi ja B-teoreettinen eternalismi. Edeltävän väitetään tyypillisesti sopivan yhteen inhimillisen ajallisen kokemuksen kanssa ja jälkimmäisen ontologisesti perustavanlaatuisen luonnontieteen kanssa. Ilmikuvamme ajasta sisältää ehdottoman nykyisyyden ja yksisuuntaisen ajan kulun menneestä tulevaan. Tieteellinen kuva ajasta ei sisällä erityistä nykyisyyttä eikä ajan kulun edellyttämää dynaamista aikamuotojen muutosta. Monet ovat pitäneet kokemustamme ajan kulusta illuusiona. Tässä artikkelissa keskitytään A-sarjan mukaisen ajankulun virheteoreettiseen tulkintaan. Tarkastellaan mahdollisuutta, jonka mukaan meillä ei ole kyseistä kokemusta vaan kuvailemme (...) kokemustamme virheellisesti ajan virtaukseen liittyvillä vertauskuvilla. Tätä tukee fysikalistinen argumentti: Jos ajan kulun kokemuksellamme ei ole fysikaalista perustaa, meillä ei voi olla sen mukaista kokemustakaan ajasta. (shrink)

This paper briefly discusses some of David Bohm’s views on mind and matter and suggests that they allow for a stronger possibility for conscious free will to influence quantum dynamics than Henry Stapp’s approach.

Survival of the fittest is an over simplification because the creature is tuned to the value in the environment. All variation is constrained and sophistication emerges as a consequence of value. -/- If we could zoom out until the entire universe appeared as an infinitesimal point, then it becomes one thing, undifferentiated, a system in search of a narrative. The system is a form of a dance, without the dancers, there is no system. The narrative unfolds as an expression in (...) a context. The meaning branches out as an increasingly rich and complex expression where the dancers enrich the environment and the environment enriches the dancers. As the deeper layers are expressed, more and more subtlety and sophistication is created and the process continues ad infinitum... Value is the measure of an enriching principle of organization. (shrink)

Western philosophy and science have a strongly dualistic tradition regarding the mental and physical aspects of reality, which makes it difficult to understand their possible causal relations. In recent debates in cognitive neuroscience it has been common to claim on the basis of neural experiments that conscious experiences are causally inefficacious. At the same time there is much evidence that consciousness does play an important role in guiding behavior. The author explores whether a new way of understanding the causal role (...) of mental states and consciousness could be provided by the ontological interpretation of the quantum theory (Bohm and Hiley, Phys. Rep. 144:323–348, 1987; Bohm and Hiley, The undivided universe: An ontological interpretation of quantum theory. Routledge: London, 1993). This interpretation radically changes our notion of matter by suggesting that a new type of active information plays a causal role at the quantum level of reality. The author thus considers to what extent the alleged causal powers of consciousness involve information, and then moves on to consider whether information in (conscious) mental states can be connected to the information at the level of quantum physics. In this way he sketches how quantum theory might help to throw light upon one of the grand challenges facing the social sciences and the humanities, namely the question of whether consciousness plays any genuine causal role in the physical world. (shrink)

In this paper we show that the three main equations used by Bohm in his approach to quantum mechanics are already contained in the earlier paper by Moyal which forms the basis for what is known as the Wigner-Moyal approach. This shows, contrary to the usual perception, that there is a deep relation between the two approaches. We suggest the relevance of this result to the more general problem of constructing a quantum geometry.

A symmetric monoidal category naturally arises as the mathematical structure that organizes physical systems, processes, and composition thereof, both sequentially and in parallel. This structure admits a purely graphical calculus. This paper is concerned with the encoding of a fixed causal structure within a symmetric monoidal category: causal dependencies will correspond to topological connectedness in the graphical language. We show that correlations, either classical or quantum, force terminality of the tensor unit. We also show that well-definedness of the concept of (...) a global state forces the monoidal product to be only partially defined, which in turn results in a relativistic covariance theorem. Except for these assumptions, at no stage do we assume anything more than purely compositional symmetric-monoidal categorical structure. We cast these two structural results in terms of a mathematical entity, which we call a causal category . We provide methods of constructing causal categories, and we study the consequences of these methods for the general framework of categorical quantum mechanics. (shrink)

This article puts forward the notion of animistic design as an uncertainty-driven strategy to reimagine human–machine interaction as a milieu of human and nonhuman. Animistic design is suggested as capable of fostering affects, sensibilities and thoughts that capitalize on the uncertain, the unpredictable and the nonlinear, and their capacity to trigger creative pathways. Informed by post-human philosophies, theories of mediation and materiality, as well as by affect, agency and aesthesia, animistic design eschews the anthropomorphic and the cute playfulness often associated (...) with animism. Instead, it proposes a practical–theoretical framework to articulate the nexus of digital innovation, interaction design practices, technical materialities and affective responses already emerging in the digital cohabitation of the human and the nonhuman. Using a ‘research through making’ approach, the article describes in detail a series of animistic design experiments and prototyping methods that explore ways of rethinking interaction as an open-ended and creative enterprise. Animistic design offers an investigative strategy that exploits degrees of collaboratively curated uncertainty and unpredictability to imagine forms of digital interaction, and to engender creative human–nonhuman relationships within a given digital milieu. (shrink)