Abstract An understanding of Descartes? concept of ?confusion? is important both for making sense of his epistemological enterprise and for grasping his doctrine of the union of mind and body. An analysis of Descartes? notion of confusion is offered which is grounded in the (more or less controversial) theses that confused thoughts are thoughts, that confusion is confusion by a thinker of one thought with another, and that confusion both can and should be avoided or ?undone?. This analysis takes its (...) rise from his contrast between ?confused? and ?distinct? : it exhibits confusion as a failure to distinguish between meanings of systematically ambiguous expressions. This failure is sometimes due to ?bad intellectual habits? which in his view ought to be broken, sometimes to ?nature? (where the confusion is in general beneficial to our welfare). Paradigmatically these are expressions which refer ambiguously to substances (i.e. mind and body) which are ?really distinct?. Moreover, his ?disambiguations? indicate a central but neglected aspect of his aim in philosophizing: he can be seen as engaged in a moral project of ?philosophical therapy? (shrink)

The primary aim of this paper is to provide a new account of Descartes’s positive philosophical view on sensory perception, and to do so in a way that will establish a hitherto unnoticed continuity between his thought and that of his scholastic Aristotelian predecessors on the topic of sensory perception. I will argue that the basic framework of the scholastic Aristotelian view on sensory perception (as traditionally understood) is operative within Descartes's own view, and then reveal some insights on the (...) issue of whether Descartes was a representationalist about sensory perception by critically examining one kind of representationalist reading of Descartes under the lens of my account. I will conclude by examining the implications that my view has for the proposed distinction between Descartes and the scholastics based on attributing representationalism to the former and direct-realism to the latter. (shrink)

Descartes analysed the mind into various faculties or powers, including pure intellect, imagination, senses, and will. This article focuses on his account of the sensory power, in relation to its Aristotelian background. Descartes accepted from the Aristotelians that the senses serve to preserve the body by detecting benefits and harms. He rejected the scholastic Aristotelian sensory ontology of resembling species, or ‘forms without matter’. For the visual sense, Descartes offered a mechanistic ontology and a partially mechanized account of sensory processes, (...) including some previously ascribed to judgement. He did this in the context of his theory of brain signs that prompt sensations. The article contends that Descartes’s use of the sign-relation was modelled on standard discussions of non-resembling signs in commentaries on Aristotle’s De interpretatione. It follows three uses of the sign-relation: brain states that cause colour sensations; brain states that cause experiences of spatialized contents, such as shapes; and brain states that realize a ‘natural geometry’. It argues that Descartes’s natural geometry does not involve mental operations but physiological mechanisms that co-vary with the distance to seen objects. While retaining the language of sensory powers, Descartes offered a partial mechanization of those powers. (shrink)

Descartes endorses the two prima facie inconsistent claims that sensory ideas are innate and caused in us by bodies. Most scholars believe that Claims A and B can be reconciled by appealing to the notion of occasional or triggering causation. I claim that this notion does not solve the theoretical problems it is introduced to solve and it generates additional difficulties. I argue that these difficulties result from conflating two questions that need to be kept distinct while inquiring about the (...) origin of ideas: the psychological question of the mechanisms by which we acquire ideas and the metaphysical question of how the content of these ideas is determined. I conclude by proposing a new way of reconciling Descartes's Claims A and B in light of this distinction. On my account, Descartes's very views on innateness explain why bodily states must be causes of sensory ideas. (shrink)

Descartes maintained that sensations of color and the like misrepresent the material world in normal circumstances. Some prominent scholars have argued that, to explain this Cartesian view, we must attribute to Descartes a causal account of sensory representation. I contend that neither the arguments motivating this reading nor the textual evidence offered in its support is sufficient to justify such attribution. Both textual and theoretical reasons point in the direction of an (at least partial) internalist account of Descartes' views on (...) sensory representation. (shrink)

Clear and distinct perception is the centrepiece of Descartes’s philosophy — it is the source of all certainty — but what does he mean by ‘clear’ and ‘distinct’? According to the prevailing approach, what it means for a perception to be clear is that its content has a certain objective property, like truth. I argue instead that clarity is at least partly a subjective, phenomenal quality whereby a content is presented as true to the perceiving subject. Clarity comes in degrees. (...) Any weak degree of clarity, available to the senses, can be merely subjective, since what it presents as true may not actually be true. But complete clarity, available to intellectual perception, has an objective dimension, since what it presents as true is always some truth, some bit of reality. Further, I argue that the other perceptual qualities that Descartes identifies — obscurity, confusion, and distinctness — are all defined in terms of clarity. Of particular note is the fact that distinctness is not a positive feature to be added to clarity: a distinct perception is just a completely clear perception. (shrink)