What is African American Politics? What form should it take? How does it conceptualize white supremacy? In In the Shadow of Du Bois, Robert Gooding-Williams uses the work of W. E. B. Du Bois and Fredrick Douglass to provide answers to these questions. While the choices of Douglass and Du Bois make a great deal of sense, they reproduce the tendency of confining political theory to literature – a move that bounds the genre in problematic ways. In this article, I (...) in effect attempt to “unbound” the genre by considering Ella Baker, a civil rights era political organizer. (shrink)

This article explores the relationship between place and Bildung, in the context of the North American African diaspora. In the process it raises questions of identity and the troubled concept of America itself, and the fatefully compromised roots of this modern democracy (‘We the People!’—but which people are we?). It begins by elaborating on the central concepts of place and Bildung in light of the classic formulations of Heidegger and the more recent critical discussions of the humanist geographer Edward Relph. (...) The development of the idea of Bildung has connected substantially with the literary form of the novel, and experiments in the novel have shaped and reshaped the understanding of what Bildung can mean. Hence, the strands of thought I have established are brought to bear, in the latter part of the article, on a consideration of one of the outstanding 20th-century Bildungsromane by a Black author, Ralph Ellison’s Invisible Man. My discussion of Ellison is intertwined with reflections on William James Booth’s ‘The Color of Memory’—which deals more explicitly with the violence of self-formation in North American colonial contexts—generating thoughts that I thematize in relation to visibility. Consideration of the novel enables an exploration of the themes of insideness and outsideness, and hence, of alienation, as well as reflection on new ways of thinking and being, in which the relation between Bildung and place are altered and in some respects weakened. (shrink)

For political and literary theorists working on race, Ralph Ellison’s Invisible Man is a canonical text. Most political theorists approach the novel through what this essay calls a “martyr reading,” though martyrdom is just one of several political strategies explored in the work. This essay highlights an alternative in Ellison’s repertoire. The “trickster reading” developed here better accounts for several key scenes in the novel and also shows the limits of martyrdom as a technique of democratic politics. While other democratic (...) theorists have identified Ellison with redemptive or deliberative aims, the novel’s references to Homer’s Odyssey, with its own trickster-hero, license a trickster reading of Invisible Man. Tricksters do not take on suffering, loss, or sacrifice in the hope of redemption nor are they necessarily committed to the virtues of deliberation. Instead, they evade sacrifice by resorting routinely to irony, cunning, and refusal. This reading demonstrates the importance of these techniques to Ellison’s vision and to our politics today. (shrink)