The place of emotions in aesthetic response has long been a topic in contemporary philosophical theorizing. One aspect of the debate in particular seems to have become a recalcitrant problem: when experiencing fiction, we experience emotional reactions towards what we know not to exist. Is this rational? In fact, is it even possible? This article deals with the so‐called “paradox of fiction” from the viewpoint of ancient poetics. In the first section, I survey some of the main arguments proposed to (...) (dis)solve the paradox in analytic philosophy. In the second and the third sections, I address what I consider two problematic assumptions of existing analytic approaches: their prescriptive, “essentialist” attitude and their exclusive focus on matters of content. By offering a brief sketch of the ancient principles of “likelihood” and “vividness”, I argue that they provide a direct and cognitively realistic answer to the paradox insofar as they account for the neutralization of doxastic features in imaginative acts and ground affective responses to fiction in the phenomenon of “aesthetic immersion”, explained in experiential, rather than representational, terms. (shrink)

In contemporary virtue epistemology, responsibilist intellectual virtues in the tradition of Aristotle's moral theory are acquired character traits involving a motivational component and a success component. The motivational component is an emotion that regulates inquiry but which would ordinarily, and problematically, carry bias. In order to monitor the patterns of fallibility in emotions, reflection can correct beyond perceptual errors or logical fallacies. Emotions which survive reflection are less partial and hold more epistemic valance than egotistical emotions. Since the framework of (...) virtue epistemology might be at a loss for monitoring emotions reflectively, given the fact emotions operate rapidly and tend to bypass cognitive functions, a theory of non-cognitive, egoless emotions, such as the Sanskrit aesthetic theory of rasa is a useful paradigm for epistemic value. Aestheticized emotions have a place in emotion-evaluation. In particular, Abhinavagupta's realistic analysis of the aestheticized emotion of pathos in the Abhinavabhāratī, shows that, “aestheticized tragedy,” unlike ordinary compassion or pity, is an immersive but moving higher-order affective response that involves evaluating the transitions from one unreflective emotion to the next. The cognitive fallout for related virtues, such as compassion, is that karuṇa affords insight into the process of transformation. Subsequently, it is possible to articulate a new kind of intellectual virtue, one that regulates observation, anticipates attunement with sentient beings, and adds insight to the evaluative structure of pathos. (shrink)