- II—Genre, Interpretation and Evaluation.Catharine Abell - 2015 - Proceedings of the Aristotelian Society 115 (1pt1):25-40.details
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Modernism Is Not for Children: Annette Michelson, Film Theory, and the Avant-Garde.Daniel Morgan - 2023 - Critical Inquiry 50 (1):88-117.details
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Critical thinking and the humanities: A case study of conceptualizations and teaching practices at the Section for Cinema Studies at Stockholm University.Joel Frykholm - 2020 - Arts and Humanities in Higher Education 20 (3):253-273.details
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Communication and content.Prashant Parikh - 2019 - Berlin, Germany: Language Science Press.details
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The Future of Art Criticism: Objectivism Goes to the Movies.Kyle Barrowman - 2018 - Journal of Ayn Rand Studies 18 (2):165-228.details
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Interpretation, Irony and “Surface Meanings” in Film.James MacDowell - 2018 - Film-Philosophy 22 (2):261-280.details
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Fearsome Acts of Interpretation: Audiovisual Historiography, Film Theory and Gangs of New York.Mike Meneghetti - 2017 - Film-Philosophy 21 (2):223-244.details
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It’s all about logics?! Analyzing the rhetorical structure of multimodal filmic text.Janina Wildfeuer - 2018 - Semiotica 2018 (220):95-121.details
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Anti-Christ : Tragedy, Farce or Game?Jan Simons - 2015 - Film-Philosophy 19 (1):1-15.details
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On the semantic status of film: Subjectivity, possible worlds, transcendental semiotics.David Herman - 1994 - Semiotica 99 (1-2):5-28.details
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Metaphors, archetypes, and the biological origins of semiotics.Elizabeth C. Hirschman - 2002 - Semiotica 2002 (142):315-349.details
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The Metaphor "COLIN IS A CHILD" in Ian McEwan's, Harold Pinter's, and Paul Schrader's The Comfort of Strangers.Charles Forceville - 1999 - Metaphor and Symbol 14 (3):179-198.details
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