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Urban Imitations

Theory, Culture and Society 22 (3):81-100 (2005)

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  1. The Exclusion of the Crowd: The Destiny of a Sociological Figure of the Irrational.Christian Borch - 2006 - European Journal of Social Theory 9 (1):83-102.
    In the late 19th century, a comprehensive semantics of crowds emerged in European social theory, dominated in particular by Gustave Le Bon and Gabriel Tarde. This article extracts two essential, but widely neglected, sociological arguments from this semantics. First, the idea that irrationality is intrinsic to society and, second, the claim that individuality is plastic rather than constitutive. By following the destiny of this semantics in its American reception, the article demonstrates how American scholars soon transformed the conception of crowds. (...)
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  • Markets, bodies, rhythms : a rhythmanalysis of financial markets from open-outcry trading to high-frequency trading.Christian Borch, Kristian Hansen & Ann-Christina Lange - forthcoming - Rhuthmos.
    This paper has been published in 2015 in Environment and Planning D, 33 : p. 1080–1097. It is freely available from Copenhagen Business School. We thank the authors for the permission to reproduce it here.: This paper explores the relationship between bodily rhythms and market rhythms in two distinctly different financial market configurations, namely the open-outcry pit and present-day high-frequency trading. Drawing on Henri - Management et Business – Nouvel article.
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  • Affect, Relationality and the `Problem of Personality'.Lisa Blackman - 2008 - Theory, Culture and Society 25 (1):23-47.
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  • Crime as social excess: Reconstructing Gabriel Tarde’s criminal sociology.Sergio Tonkonoff - 2014 - History of the Human Sciences 27 (2):60-74.
    Gabriel Tarde, along with Durkheim and others, set the foundations for what is today a common-sense statement in social science: crime is a social phenomenon. However, the questions about what social is and what kind of social phenomenon crime is remain alive. Tarde’s writings have answers for both of these capital and interdependent problems and serve to renew our view of them. The aim of this article is to reconstruct Tarde’s definition of crime in terms of genus and specific difference, (...)
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  • Having an Anthropocene Body: Hydrocarbons, Biofuels and Metabolism.Adrian Mackenzie - 2014 - Body and Society 20 (1):3-30.
    What does it mean to have an Anthropocene body? The Anthropocene period is putatively defined by flows of hydrocarbons and hydrocarbon derivatives (fuels, plastics, fertilizers, etc.), and the very term ‘Anthropocene’ suggests an increasing awareness of the finitude and contingency of contemporary corporealities. This article explores the idea of modelling an Anthropocene body as a living/non-living metabolic process. While identifying bodies with molecules raises a host of problems, metabolism and hydrocarbon biomolecules display a gamut of forms of possession and ways (...)
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  • The Myth of the Multitude, or, Who's Afraid of the Crowd?William Mazzarella - 2010 - Critical Inquiry 36 (4):697-727.
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  • The Rhythm of Echoes and Echoes of Violence.Mickey Vallee - 2017 - Theory, Culture and Society 34 (1):97-114.
    This paper contributes to non-ocularcentric theory and theorizing by way of a methodological application and extension of Henri Lefebvre’s Rhythmanalysis. It explores the cultural dynamics of echoes and history, using as an instrumental case study Steve Reich’s 1966 tape-loop composition, Come Out, to elucidate the ambivalent and contradictory relations of time, temporality, and possibility. While the focus is primarily on the text of Come Out and its context of police brutality and civil rights, it moreover contributes to an enriched and (...)
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