My paper aims to highlight the presence of a social conception of art in Gadamer’s thought by analysing his reading of Hegel’s aesthetics. In an initial section I reconstruct the core of Gadamer’s reading of Hegel’s aesthetics as a paradigm to reassess art against the limits of aestheticism. I subsequently focus on the analysis Gadamer provides of the fundamental topic of the “past-character of art”, by stressing how this is reassessed as a “presence of the past”. On this basis, I (...) show how Gadamer’s reading of Hegel helps him focus on the role of contemporary art forms. If in modernity art lost its self-evident character, this does not prevent it from establishing a sense of community. Contemporary art is a search for a communal and social element. Gadamer’s characterization of contemporary art as a work-in-progress and intrinsically linked to the audience’s participation lays the basis for rethinking Gadamer’s aesthetics in a performative direction. (shrink)