In the last few years, it has become a commonplace to state that domination takes place through a multiplicity of axes, where gender, class, race, and sexuality intersect with one another. While a lot of insightful empirical work is being done under the heading of intersectionality, it is very rarely linked to the anarchist tradition that preceded it. In this article, I would like to articulate this point by showing the usefulness but also the limits of the notion of intersectionality (...) to understand mechanisms of domination and then move on to argue for the need of an anarcha-feminist research program. Secondly, I will try to provide the philosophical framework for such an enterprise by arguing that it is in a Spinozist ontology of the transindividual that we can best find the conceptual resources for thinking about the plural nature of women’s bodies and thus of their oppression. This will allow me to attempt to articulate the question of ‘what it means to be a woman’ in pluralistic terms and thus also to defend a specifically feminist form of anarchism. In conclusion, I will go back to the anarcha-feminist tradition and will show why today it is the best possible ally of feminism in the pursuit of a critical theory of society. (shrink)

The aim of this article is to reassess the conceptual link between politics and our capacity to create images. Although a lot has been written on what we can call the ‘politics of imagination’, much less has been done to critically assess the conceptual link between the two in a systematic way. This paper introduces the concept of imaginal, understood simply as what is made of images, to go beyond the current impasse of the opposition between theories of imagination as (...) an individual faculty, on the one hand, and theories of the imaginary as a social context, on the other. As such, I also argue that the concept of imaginal is the theoretical tool most adapted to capture the nature of the conceptual link between politics and our capacity to produce images. This analysis is finally applied to contemporary politics and it is shown to be able to bring light to many of its paradoxes, including that of a political world full of images, but deprived of imagination. (shrink)

In social and political theory, the imagination is often used in accounting both for creativity, innovation, and change and for sociopolitical stagnation and the inability to promote innovation and change. To what extent, however, can we attribute such seemingly contradictory outcomes to the same mental faculty? To address this question, this paper develops a comprehensive account of the political imagination, one that explains the various roles played by imagination in politics and thus accounts for the promises and limits of the (...) political imagination. This conceptualization of the political imagination allows us to account for the simultaneous presence of its seemingly contradictory roles—such as promoting stability and order on the one hand while generating creativity and critical innovation on the other. (shrink)

This article argues for the need to recover the concept of political myth in order to understand the crucial phenomena of our epoch. By drawing on Blumenberg’s philosophical reflections on myth, it proposes to understand political myth as the continual process of work on a common narrative by which the members of a social group can provide significance to their political conditions and experience. In order to show how this understanding of political myth can throw light on important aspects of (...) contemporary politics, the article analyses the work on one of the most conspicuous political myths of our time: the clash of civilizations. By reconstructing the mechanisms through which this myth works, the article shows how a paradigm that has been strongly criticized as too simplistic and scientifically inadequate could have turned into a successful political myth, i.e. into a self-fulfilling prophecy. (shrink)

Este artículo establece un diálogo entre el concepto de medio –presentado por Marshall McLuhan– y el concepto de mito–enarbolado por Roland Barthes– para evidenciarsus similitudes de trasfondo, y de este modo acercar el trabajo de estos dos pensadores quienes, no obstante susdistintos puntos de partida, logran confluir conceptualmentepara comprender de mejor manera la idea del macro-mito, y reconocer el efecto que esta construcción tiene sobre la reconocida sentencia de McLuhan: el medio es el mensaje.

The aim of this article is to show that, in order to understand the new public role of religion, we need to rethink the nexus, often neglected by contemporary philosophy, between politics and imagination. The current resurrection of religion in the public sphere is linked to a deep transformation of political imagination which has its roots in the double process of the reduction of politics to mere administration, on the one hand, and to spectacle, on the other. In an epoch (...) when politics is said to be simply a question of ‘good governance’, of good administration within a neo-liberal consensus, the paradox is that of a lack of political imagination which goes hand in hand with its hypertrophy through the media. This article tackles this paradox, by firstly discussing the nexus of politics, imagination and religion and, secondly, by analysing their contemporary transformations. In conclusion, the thesis is illustrated through the analysis of some contemporary examples. (shrink)

This article appraises the political writings of three Polish Marxists from the early 20th century, Kazimierz Kelles-Krauz, Stanisław Brzozowski and Rosa Luxemburg. In the specific peripheral conditions and because of the entanglement of different struggles in the Polish Kingdom under Tsarist rule around the 1905 Revolution, it was no longer possible for Marxists and political theorists to refer to any firm political ground: whether the organic unity of the nation, class antagonisms, or laws of history. The construction of revolutionary subjects (...) in Luxemburg, the political rethinking of national community and the realistic ‘agonistic’ conception of democracy in Kelles-Krauz, and Brzozowski’s anti-essentialist Marxism, with its mobilizing power and politically constructed subjects of social change, are peculiar, peripheral forms of political Marxism, today worth looking at one more time. (shrink)

In recent years, the notion of a ‘clash of civilizations’, first put forward by Samuel Huntington (1996), has been widely used to explain the contemporary dynamics of geo-political conflict. It has been argued that the fundamental source of conflict is no longer primarily ideological, or even economic, but cultural. Despite many trenchant and largely debilitating academic critiques of Huntington's argument, the popular appeal of the ‘clash of civilizations’ thesis remains undiminished. In many parts of the world, the binary it describes (...) is often taken to be self-evident, especially after the tragic events of September 11. This paper uses the ideas of ‘social imaginary’ (Taylor, 2004) and ‘political myth’ (Blumenberg, 1984) to understand the popular appeal of the idea of civilizational conflict, and suggests that this appeal is unlikely to be punctured by theoretical arguments alone, but by an equally plausible political narrative located in an alternative social imaginary, acquired through cosmopolitan learning. (shrink)

This article critically engages with Castoriadis’s elucidation of autonomy. It does so by taking into account the implications of Castoriadis’s enduring interest in the ecological devastation of the natural world, on the one hand, and the changing configuration of his philosophical anthropology, on the other—especially in regard to his reconsideration of the creativity of nature in the 1980s and the reconfiguration of the nomos and physis problematic. It contextualizes these movements in his thought within a broader hermeneutic of modernity that, (...) following Johann Arnason, emphasizes the cultural currents of both Romanticism and the Enlightenment as constitutive of modernity as a field of tensions. In an extension of Arnason’s elaboration, however, the present article argues that a latent opening towards an ecological worldhood is implicit to Castoriadis’s hermeneutic of modernity that, conversely, also finds Castoriadis at the limits of autonomy. (shrink)

This article makes visible some of the premises that underlie Rosi Braidotti’s use of (political) myth. Focusing on some well-known characteristics of postmodernity, as well as the development of a new philosophy of subjectivity, I account for the divergence between Simone de Beauvoir, who thought of myth as a severe hindrance to the subject-becoming of women, and postmodern feminists, such as Donna Haraway and Braidotti, who represent a more affirmative stance. Through pinning down both similarities and differences between Haraway and (...) Braidotti, I demonstrate that postmodern feminists might still promote mythmaking for dissimilar reasons. I argue that Braidotti, in contrast to Haraway, approaches myth from a horizon partly shaped by an anti-rationalist or ‘demonic’ philosophical tradition, whose chief representative is Friedrich Nietzsche. By studying the argument delivered by the latter in defence of myth, I extract a conceptual distinction between the ‘Apolline’ and the ‘Dionysiac’ aspects of mythmaking, by which it becomes possible to further qualify Braidotti’s philosophy of political myth. (shrink)

Technological augmentation in the field of communication is a new way of controlling and manipulating the interface between current political communications and information. This is because, within the new paradigms of power, political communication is under the influence of netocracy, a new and mythical form of cybertechnological superpanopticism. The general objective of this paper is to analyze the phenomenon of cybertechnological globalization where, according to Alexander Bard and Jan Söderqvist, this new form of political and communicative superpanopticism is the result (...) of netocracy. This is related not just to the undermining of capitalism, but also to the myth of internet transparency as the site for communicational freedom. In theoretical terms, this paper seeks to deconstruct this hypothesis based on Slavoj Žižek’s position on netocracy. He claims this phenomenon is little more than a new and perverse form of capitalism which engages new methods of manipulating political communication. The methodology used in this paper draws on Bard and Söderqvist’s arguments, Žižek’s critique and Gilles Deleuze’s deconstruction. (shrink)

The political philosophy of radical democracy has made innumerable invaluable contributions to theories of democracy. However, while radical democrats tend to focus on the political, a cogent and comprehensive framework of law appropriate to radical democracy has only recently been begun to be developed. Interpreting the vast tradition of radical democracy to be based at least on the fundamental tenets of radical equality, anti-foundationalism, and to a lesser extent conflict, this paper argues that the oft-forgotten work of the American legal (...) philosopher Robert Cover may provide critical resources for a radical democratic theory of law. According to Cover, every agent living under law is embedded, or embeds themselves, within a nomos or normative universe. From this nomos legal texts become imbued with widely different meanings, many of which will be mutually incompatible. Cover’s legal anarchism, moreover, gives way to the argument that no agent or institution has a particularly privileged view of the ‘correct’ law. Accordingly, every legal texts gives rise to a proliferation of normative universes which due to their mutual incompatibility will eventually come into conflict with one another. This paper shows that Cover’s normative commitments are highly congruent with those professed by many radical democrats, and that therefore Cover’s legal philosophy furnishes a fruitful basis on which to further theorise a framework of radical democratic or agonistic law that incorporates struggle while remaining committed to equality and disavowing of any determinate foundations. (shrink)

In this paper, I argue that Miki’s concept of myth offers a continuation and consolidation of his Philosophy of History, providing an important conceptual tool to comprehend his philosophica...

This is the first of two special issues and the articles are grouped according to two themes: This first issue will feature articles that share a theme we call Technologies and the Political, while the second issue will feature the theme Subjectivities. However, we could equally consider them exercises in provincialization in the (counter)factual register in the first issue, and by affective historiography as conceptual-empirical labor(atory) in the second issue. What we have generally asked of all authors is to consider (...) that the relation between science and society is often heavily influenced by and identified in the intermediary figurations portrayed in the genre of science fiction. (shrink)

Статтю присвячено формуванню ґрунтовної альтернативи просвітницьким та позитивістським стереотипам стосовно історичного та антропологічного статусу міфу. З цією метою розглянуто низку показових сюжетів з історії філософської думки ХІХ – ХХ ст., що дають змогу поглянути на міф як на невід’ємну частину людської розумності. Автор припускає, що реабілітація міфу є частиною загального інклюзивного процесу, що триває у філософії новітніх часів і передбачає істотне розширення меж того, що можна вважати розумним. Базу дослідження склали ідеї таких впливових мислителів та дослідників міфу, як Фридрих Шеллінґ, (...) Макс Мюллер, Ернст Кассирер, Сьюзен Ланґер та Ганс Блюменберґ. Продемонстровано важливість лінгвістичного повороту у дослідженні міфу, здійсненого М. Мюллером, і показано, що його ідея про міф як «хворобу мови» має глибокі перетини із переосмисленням суті та призначення філософії, ініційованим Людвіґом Вітґенштайном та представниками Віденського кола. Показано, що запроваджене Е. Кассирером та його послідовницею С. Ланґер доповнення лінгвістичного виміру антропологічним і розгляд міфу як самодостатньої символічної форми веде до відмови від протиставлення міфологічного та раціонального мислення та сприяє розумінню тісного зв’язку між міфом і мовою. Незважаючи на те, що Е. Кассирер будував свою філософію символічних форм, у цілому залишаючись у межах традиції трансцендентального ідеалізму, а С. Ланґер ідеалізм відкидає, у питанні щодо міфу вони доходять схожих висновків. Із опорою на праці Г. Блюменберґа та інших дослідників продемонстровано, що реабілітація міфу і включення його у межі раціонального тісно пов’язані реабілітацією метафори як іншої форми недискурсивного виразу. Показано, що визнання міфу як неусувної частини світосприйняття сприяє глибшому розумінню природи людського мислення. (shrink)

The article explores the ways to solve the problem of the lack of a common interdisciplinary definition of myth at the beginning of the 21st century. The problem was actualized in the 20th century after the development of new theories that reject the enlightening stereotypes of archaic nature of myth, and instead develop the ideas about the existence of modern mythology, the inability to escape from myth and its active participation in the formation of the current worldview. A number of (...) contemporary researchers have been attempting to evade a common ultimate definition of myth in favour of forming a productive, inclusive discourse. So, there are attempts to refrain from defining myth at all, to elaborate a compromise definition, to define not a myth but a “work on myth”, to evolve a detailed but flexible definition that is open to adjustments. These investigations ground an interdisciplinary theoretical foundation that can be used for further studies of the mythic phenomena in each individual perspective, without neglecting the achievements of various discourses. It is also noticed that a common feature of contemporary efforts to define a myth is an observation that we always deal with a myth not as an isolated story but simultaneously with the diversity of its plots and manifestations. The studies focus on its multiplicity, variability, modifiability through time. The other important side of myth is significance that it produces for both universal and specific aspects of the life of social groups. If the narrative stops producing significance, it loses its mythic status and transforms into the products of the mythology of other epochs. Article received 27.08.2019. (shrink)

Human rights are both a means for the ideological justification of the status quo and for its utopian subversion. In order to account for this paradox we need to consider the role that our capacity to form images plays in human rights discourses. I will first discuss how best to conceptualise the capacity to produce images, which is the focus of this paper. In order to go beyond the impasse generated by philosophical approaches to imagination as an individual faculty, and (...) by sociological approaches to the imaginary understood as a social context, I propose to use the category of the ‘imaginal’, understood simply as that which is made of images and can therefore be both the product of an individual faculty and a social context. Second, I show how the imaginal enters the three major strategies of justifications of human rights, when we think of them as ‘human’, as ‘rights’ and as ‘rational’. Finally, I will show that the imaginal is also the force that compels us to enforce human rights, to put ourselves in the shoes of others and imagine a world that is different from the one in which we are currently living. (shrink)

This article explores the implications of Balibar’s strategic decision to add Freud to the series of the thinkers of the transindividual. This move, I argue, both illuminates the other philosophers’ contribution to our understanding of transindividuality, but also creates some tensions within the triad Spinoza, Marx, Freud. After exploring both aspects, the reciprocal tensions and the reciprocal illumination, I will move on to analysing the relationship between the transindividual and the imaginal, as both concepts signal a questioning of the dichotomy (...) ‘individual versus society’ and thus can be seen as the result of the same movement of thought. (shrink)