Spinoza distinguishes two orders of knowledge: an order conceived by the intellect, that is, the necessary order of nature and another order conceived by the imagination, that is, the common order of nature in which the contingent and the possible dwell. However, the common order is not only a deprivation of knowledge, but also a reality for the finite mode. Because we cannot exclude the existence of the common order, this paper attempts to understand how we can reconcile it with (...) the necessary order. Spinoza’s critique of imagination is that it introduces fragmentation and discontinuity into nature, since it is a kind of knowledge that does not realize the basis of this continuity: the necessary order. Through an analysis of time as a product of imagination, we will try to show how it introduces the idea of contingency and consequently that of possible. Just as time, the common order can be grasped by reason as an outer frame, it will no longer be an obstacle to the necessary chain of things in the necessary order. It is through the necessary order that we can realize the necessity that underlies the production of time, possible, and contingency as the corruptibility of all particular things. (shrink)

The spinozian critical fortune records that, starting withproposition 27 of Ethics Part iii, something completely original appearsin the examination of affective life: the imitation of affections. Spinoza’snovelty, in comparison with his contemporaries, is to describe theproduction of affections no longer from an external object, but from theconduct of “something”, or “someone”, on an object - considering thatthis production is rooted in the fact that we imagine that this “someone”or that “something” is similar to us. The proposition links a longdeductive sequence (...) that runs through the rest of Part iii, supports thecrucial Part iv propositions on politics and law and reaches the PoliticalTreaty [i, v]. Our intention is to evaluate the meanings of this propositionin Spinoza’s political thought, based on a review of this problemin critical fortune - taking into account some passages in the works ofPrimo Levi. In particular the “Chemistry Test”, chapter ofthis book If This Is a Man? [Se questo è un uomo?]. (shrink)

El texto propone una lectura de la teoría de lo imaginario de Lucrecio en la línea de un materialismo de lo imaginario afín al de Spinoza y Althusser. Este materialismo defiende que lo imaginario implica un mecanismo específico que produce un efecto específico. En Lucrecio el modo de funcionamiento específico es la obsesión por imaginarnos mirando y el efecto que deriva de él es la creencia en un alma inmortal y separable. La demostración descansa en el carácter finito de nuestro (...) imaginario: nuestra incapacidad de representar la muerte. El argumento se desenvolverá buscando resolver el problema que el temor a morir como miedo a la ausencia de sensibilidad le presenta a la filosofía epicúrea y lucreciana, ya que este miedo no parece disiparse ante la tesis de que la muerte no es nada para nosotros. El artículo, en fin, intentará demostrar que el temor a morir y la creencia en un alma separable del cuerpo e inmortal van ligados necesariamente en todos los casos. (shrink)

Este artigo busca interpretar a gravura "Melancolia I", do renascentista alemão Albrecht Dürer, segundo o pano de fundo filosófico do pensamento de Spinoza. A ideia central é a de que, nessa gravura, haveria uma intuição artístico-filosófica pela qual Dürer foi levado a associar a tristeza melancólica à ideia de um conhecimento confuso e turvado pela imaginação. Tal intuição se completaria numa outra gravura, criada no mesmo ano, o "São Jerônimo em seu gabinete", na qual a melancolia do "homem de cultura" (...) renascentista desaparece. Tais intuições permitiriam ler as duas gravuras sob a ótica das "teorias" da mente e do conhecimento de Spinoza, para quem o conhecimento está associado à alegria, desde que esteja livre das sombras da imaginação projetadas pelo medo, pelo desejo excessivo, pelas crenças ou pelas superstições. This article seeks to interpret the engraving "Melencolia I" , made by the German Renaissance’s painter Albrecht Dürer, according to the philosophical background of Spinoza’s thought. The central idea is that, in this picture, there would be an artistic-philosophical intuition by which Dürer associated melancholy to the idea of a confused and muddied knowledge caused by imagination. Another engraving, also created in 1514, completes this intuition: "St. Jerome in his study", in which the melancholy of the Renaissance’s "man of culture" disappears. Such insights allow reading the two pictures from the perspective of Spinoza’s "theories" of mind and knowledge. He assumes that knowledge is associated with joy, since it is free from the shadows of the imagination projected by fear, excessive desire, beliefs or/and superstitions. (shrink)

O presente artigo busca, a partir da leitura das proposições 17 e 18 do livro II da Ética, inserir Espinosa na tradição filosófica que trata a memória como uma faculdade de caráter fundamentalmente imaginativo. Essa tradição tem destaque na modernidade com Descartes, cujo modelo físico de explicação dos mecanismos da memória é, segundo nossa leitura, aquele em voga no século XVII e o mesmo que serviu de base para a chamada pequena física da Ética, da qual depende a demonstração das (...) proposições 17 e 18 do livro II. (shrink)

O presente artigo, tem como objetivo apresentar a maneira pela qual Hobbes e Espinosa entendem a multidão, elucidando, a partir disso o papel que conferem a ela na instituição do Estado. Parte-se do pressuposto de que tanto num pensador quanto no outro, a multidão tem um papel central no que diz respeito à instituição do estado civil, de maneira que, por vias distintas, tal instituição somente pode ser pensada a partir dela. Como se observa, os dois pensadores têm maneiras totalmente (...) díspares de conceber a multidão – enquanto em um ela necessariamente precisa ser unificada por meio da representação, no outro o sujeito político instituinte é justamente a multidão tomada em sua pluralidade –, do que se segue que somos colocados diante de duas concepções distintas de Estado. (shrink)

Este trabalho tem o escopo de investigar o conceito de Direito de Resistência em Baruch de Spinoza, através da sua obra Tratado Político e de seus comentadores. Inicialmente a resistência é apresentada em diferentes visões, Hobbes e Locke, seguida pela tradição hegemônica da filosofia política e logo contraposta ao conceito de Desobediência Civil. Em seguida, Spinoza surge com sua perspectiva inovadora, não diferenciando resistir de obedecer, caso certas circunstâncias se apresentem no ambiente político, a partir de uma breve contextualização e (...) análise do fundamento da Resistência neste autor, a potência da multidão. Por fim, busca-se o Decreto nº 8243/14 para submetê-lo a seguinte questão: pode este ser visto como uma institucionalização da Resistência, nos termos espinosanos? (shrink)

O presente texto tem como objetivo explicitar algumas das implicações da ontologia imanentista de Espinosa relativamente a sua concepção do conhecimento científico e em particular a sua noção de autômato espiritual. Nesse sentido revisam-se noções como sustância, causa imanente, definição genética; noções que lastram nossa reflexão em torno da concepção espinosana de ciência, na qual a ideia e a figura da verdade refletem uma identidade ou interioridade entre os planos do ser e do conhecer, entre o objeto e o sujeito (...) mesmo de conhecimento. (shrink)

What I plan to do in this paper is to provide a survey of the ways in which Spinoza’s philosophy has been deployed in relation to early modern thought, in the history of ideas and in a number of different domains of contemporary philosophy, and to offer an account of how some of this research has developed. The past decade of research in Spinoza studies has been characterized by a number of tendencies; however, it is possible to identify four main (...) domains that characterize these different lines of research: studies of Spinoza’s individual works, of its problematic concepts, from the point of view of the history of ideas, and comparative studies of Spinoza’s ideas. (shrink)

The recent expansion of the English academies programme has initiated a period of significant change within the state education system. As established administration has been disrupted, new providers from business and philanthropy have entered the sector with a range of approaches to transform schools. This paper examines the development of co-operative schools, which are positioned as an ‘ethical alternative’ within the system and have proved popular with teachers and parents. Using a theory of co-operative power drawn from the philosophy of (...) Spinoza, the author explores how co-operative schools have emerged, with and against the reforming agenda, using narratives of hope and resistance. Spinoza provides theoretical resources to critique this positioning and to project beyond the limiting narratives to an affirmative vision for co-operative schools. (shrink)

This work aims to demonstrate the relation between the Spinozist concept of resistance, the role that the socialization of the affects plays in the construction of the State and the reasons by which Spinoza states the democratic foundation of the power of State. This paper also aims to expose the elements in Spinoza’s political philosophy that enables him to refute the transcendence of political power, the generalized spread of hate, the voluntarism and the political moralism.

Publicado em 2014, "Albert Camus, de la transfiguration", constitui, ao lado de “Vauvenargues ou le séditieux”, de 2010, mais um esforço realizado por Laurent Bove no sentido de valorizar o tema pascaliano da “segunda natureza” através de um ponto de vista espinosista. Por aí se vê que Bove é consequente ao se distanciar tanto do tema da “filosofia do absurdo”, reiteradas vezes associada à obra de Camus pela interpretação hegemônica que dele se faz, quanto da imagem de um moralista, associada (...) a Camus através de Sartre. Ainda que Bove percorra grande parte da obra Camus, podemos afirmar sem grandes embaraços que os personagens merecedores de maior consideração são Meursault e o Cristo das pinturas de Piero della Francesca, tal como descrito nas Noces. Através da identificação do tema de uma filosofia do corpo, Bove sustenta que Camus prepara, nas suas primeiras obras, notadamente em O estrangeiro e nas Noces, a questão da transfiguração, a qual será posteriormente desdobrada nos seus aspectos políticos e históricos, em O homem revoltado, por aí se articulam as duas partes da obra de Bove. (shrink)

Spinoza attributes mentality to all things existing in nature. He claims that each thing has a mind that perceives everything that happens in the body. Against this panpsychist background, it is unclear how consciousness relates to the nature of the mind. This study focuses on Spinoza’s account of the conscious mind and its operations. It builds on the hypothesis that Spinoza’s panpsychism can be interpreted as a self-consistent philosophical position. It aims at providing answers to the following questions: what is (...) consciousness, for Spinoza, and what are the causes that determine its presence in nature? How can human and non-human individuals be distinguished on account of their mentality? How can Spinoza conceive of the human mind as consisting entirely of conscious perceptions? And how, according to Spinoza’s mind-body parallelism, is the content of consciousness determined so that it reflects in thought the order and connection of the actions and passions of the body? To address these questions, I first determine what Spinoza’s notion of “consciousness” is and how he uses it. Then, I investigate whether he has a theory of recognition capable of accounting for specifically human behaviour and mentality. Further, I examine his description of memory and the way in which memory shapes the framework of human conscious thought. Finally, I look for an account of discursive reasoning, capable of explaining the existence of activities of the mind that, by operating on the content provided by memory, preserve themselves through time and change. (shrink)

This paper examines the relationship between violence and the domination of speech in Spinoza’s political thought. Spinoza describes the cost of such violence to the State, to the collective epistemic resources, and to the members of the polity that domination aims to script and silence. Spinoza shows how obedience to a dominating power requires pretense and deception. The pressure to pretend is the linchpin of an account of how oppression severely degrades the conditions for meaningful communication, and thus the possibilities (...) for thinking and acting in common. Because it belongs to human nature to desire to share our thoughts with others, Spinoza believes that most people experience efforts to control our communication to be acutely intolerable. As a result, such unbearable violence threatens the political order that deploys it. I conclude with some speculative remarks about why, in the Theological-Political Treatise, Spinoza consistently deploys the superlative form of the adjective violentus in reference to the domination of thought and speech rather than to other modes of political violence. (shrink)