An environmental ethic needs to have an answer to two basic questions: what nature should we care about, and why? A number of proposals have been made about how to answer these questions. In this paper, I consider in detail one such proposal, namely, biological or ecological integrity. Different characterizations of integrity can be found in the literature, but I will treat the following one as paradigmatic. Integrity refers to a property of landscapes that are relatively unmodified by human activity (...) and that have their native biota largely intact.1 By “native biota,” I mean the native plant and animal life in a particular place, and... (shrink)

This article discusses the way humans value nature, with a focus on the way they value nature aesthetically. Of particular interest are the values of children and adolescents and the role of aesthetics in scientific studies. The discussion is based on philosophical writings, especially aesthetic sources, and current environmental education empirical research. Our aim is to show the necessity the science lessons have of an unambiguous aesthetic dimension. With flexible teaching methods that partly take place outdoor, the students' own values (...) and aesthetic experiences become a prompting starting point for understanding humankind’s role in nature. (shrink)

This paper focuses on natural aesthetics as it relates to an ecological ethics informed by Aldo Leopold and by two contemporary environmental ethicists inspired by him: Callicott and Rolston. By contrast to Callicott, Rolston's work emphasises the distinctive character of natural beauty and gives reasons to understand such beauty as foundational for acting morally in the natural world. This paper argues, on these theoretical grounds, that an informed natural aesthetics is a requirement of an environmental ethics on account of the (...) co-relational link between the integrity, balance and beauty of the biotic community. This more objective foundation can better support conservationist movements in practice, bringing together natural beauty and duty in the pursuit of a closer harmony between humankind and the natural world. (shrink)

A response to conference papers by Brady, Phillips, and Rolston on aesthetics and environmentalism, this essay argues that sound environmental policy might begin with basic questions about the purpose and extent of human life, for such policies shape human nature as they also shape the phenomenal world. Decisions based upon short-lived economic conditions cannot provide those long-term benefits necessary for the preservation of the environment. Aesthetic judgments, because they are reflective, help us anthropomorphise ourselves; along with scientific judgments, they might (...) serve as foundational, rather than auxiliary, practices for determining the future of our finite planet. (shrink)

Recent work in environmental ethics has seen a pragmatic turn that emphasises the importance of developing positive relationships with nature through practices involved in, for example, ecological restoration and community gardens. This article explores whether environmental and land art-making encourages positive aesthetic-moral relationships between nature and humans. It critically examines a particular type of aesthetic objection to these kinds of artworks and defends the work of Robert Smithson and Andy Goldsworthy, among others, against this charge. It is argued that rather (...) than constituting an 'aesthetic affront' to nature, some forms of environmental and land art show 'aesthetic regard' for nature. (shrink)

This article analyses the use of images in the discourse of animal ethics in an attempt to see how visual cultural studies can contribute to the debate in environmental philosophy. Drawing on Derrida's critique of the utilitarian theory of animal liberation and Mitchell's analysis of iconoclasm in visual culture theories, the article argues that an iconoclastic strategy of visual representation in the discourse of animal ethics undermines the very objective of such an ethical theory. Two case studies — Peter Singer's (...) animal liberation and J.B. Callicott's land ethic — illustrate an implacable tendency to essentialize the visual and animal identity. (shrink)