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  1. A Plea for a Pragmatist Anthropology.Roberta Dreon - 2024 - European Journal of Pragmatism and American Philosophy 16 (2).
    In this paper, I defend the claim that a philosophical anthropology inspired by the Classical Pragmatists, while being explicitly naturalistic, can avoid biological reductionism and environmental determinism, as well as dogmatic forms of anthropocentrism and human exceptionalism, insofar as it offers a picture of human nature as historical and contingent, dynamically constituted through interactions with a natural, naturally social, and enculturated environment. Cultural naturalism, I suggest, provides the theoretical framework for a pragmatist anthropology that includes at least two pivotal claims. (...)
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  • Imagination.Jennifer A. McMahon - 2018 - In Social Aesthetics and Moral Judgment: Pleasure, Reflection and Accountability. New York, USA: Routledge. pp. 66-87.
    The standard cognitive theory of art claims that art can be insightful while maintaining that imagining is motivationally inert [Walton 1990] even when some epistemic advantage is claimed for it [Currie 1995]. However, if we assume art as art can be insightful, we also assume that the imagining it occasions has a lasting impact on belief. In this chapter, I argue that imagining of the kind occasioned by art can be held non-occurrently [Schellenberg 2013] without delusion and can motivate behaviour (...)
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  • Aesthetic aspects of unauthorised environmental interventions.Isis Brook - 2007 - Ethics, Place and Environment 10 (3):307 – 318.
    Through a number of examples of environmental interventions, this paper makes the claim that the unauthorised nature of some interventions is an integral part of their aesthetic quality. This does not mean that all such interventions have these qualities - only that the regulation of what can be done where and by whom could endanger the production of a rich seam of aesthetic experience, such as edginess and whimsy, and the aesthetic engagement of artists and the general public with places.
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  • Aesthetic regard for nature in environmental and land art.Emily Brady - 2007 - Ethics, Place and Environment 10 (3):287 – 300.
    Recent work in environmental ethics has seen a pragmatic turn that emphasises the importance of developing positive relationships with nature through practices involved in, for example, ecological restoration and community gardens. This article explores whether environmental and land art-making encourages positive aesthetic-moral relationships between nature and humans. It critically examines a particular type of aesthetic objection to these kinds of artworks and defends the work of Robert Smithson and Andy Goldsworthy, among others, against this charge. It is argued that rather (...)
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  • Homecoming without Nostalgia: Local Communities and the Reintroduction of the Wild Forest Reindeer ( Rangifer tarandus sennicus) in Finland.Juha HiedanpÄÄ & Jani Pellikka - 2022 - Environmental Values 31 (2):153-175.
    Wildlife translocations often raise concerns about the purpose and impact among people living in target locations. We applied the integrated impact assessment in planning the reintroduction of wild forest reindeer in Finland. We investigated the variety of expected socioecological impacts, the relative importance of these impacts and local willingness to participate in local-level reintroduction activities. The reintroduction project organised interactive forums in 2013 and 2016 in each of the four regions suitable for wild forest reindeer. The variety of recognised potential (...)
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  • Interpreting Environments.Emily Brady - 2002 - Essays in Philosophy 3 (1):57-67.
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