Deleuze's ethics constitutes the core of his philosophy, which proposes a post-humanistic but robust nomadic vision of the subject that respects the complexity of our times while avoiding the pitfalls of postmodern and other forms of relativism. Deleuze's neo-Spinozist ethics rests on an active relational ontology that looks for the ways in which otherness prompts, mobilises and allows for flows of affirmation of values and forces which are not yet sustained by the current conditions. Insofar as the conditions need to (...) be brought about or actualised by collective efforts to induce qualitative transformations in our interactions, it requires the praxis of affirmative ethics. The process of becoming-minor, which necessarily involves becoming-woman, is central to this pragmatic ethical project that includes human as well as non-human actors. This paper addresses this ethics in terms of ontological relationality, affectivity and endurance. (shrink)

This paper situates Günther Anders’s diagnosis of a shift in the modes of human self-production from hermeneutic and educational practices to techno-scientific interventions in the broader context of observations concerning posthumanism and biopolitics. It proposes to reframe the problem of human self-production within the philosophy of media and traces a common anti-hermeneutic trajectory to which both technoscientific transhumanism and certain strands of posthumanism belong, insofar as they are based on an ontology that exclusively considers causally effective agency. With Anders and (...) Martin Heidegger it is argued that such a focus on agency neglects the dimension of meaning that irreducibly guides technoscientific interventions. The paper claims that, with regard to the escalating dynamics both of human enhancement and of the Anthropocene, neither a truly critical theoretical stance nor a practical subversion is possible without taking the horizons of meaning into account that drive these dynamics. The last section sketches an outline of the complex interrelations of humans, technologies and meaning that cannot be mapped in terms of causally effective agency. (shrink)

Kim Longinotto is one of the UK's leading documentary directors whose body of work explores women's lives and their struggles for autonomy and human rights in a range of international cultural contexts. Her strategies interrogate the observationalist traditions of documentary cinema and visual anthropology to produce engaged and profoundly empathetic feminist films. She works in collaborative ways with her subjects, often with other directors, to represent the contradictions and multiple layers of their lives and political and social situations. This interview (...) focuses on Longinotto's approach to representing her subjects and using the medium of documentary as a form of witnessing. (shrink)

Growing interest has been shown toward humanism in the 21st century after decades of critique and rejection. Posthumanism and transhumanism have redefined the topic primarily through developments in technology and by focusing on relations of interconnectedness between humans and the environment. A different concern with ‘being human’ can be found in the writings of Zygmunt Bauman and Ernst Bloch. The leitmotif of Bauman’s sociology and of Bloch’s utopian philosophy is their assertion that humans have the distinct capacity to transcend necessity (...) and inevitability. Their works share the concern for a good society that would ameliorate social fragmentation and disintegration. Following this, the article seeks to theorize the meaning of humanism in the contemporary era. Taking up Bauman’s notion of interregnum, the article will argue that the contemporary importance of humanism is social in the sense of redeeming the currently casualized human condition, i.e. diminished life-chances, inequality and alienation. Interregnum marks a historical epoch where the old order has decayed, but the new one is not yet present. In interregnum, or in what Bloch calls Mischzeit, humanism is about a human being-in-the-world which contains the possibility to do better. (shrink)

We are beholden to the postmodernists for their unwavering fidelity to Virginia Woolf’s legacy and the resultant popularity it continues to enjoy. This should no longer be the case. As postmodernism’s import is increasingly outflanked by the enterprises of Slavoj Žižek, Alain Badiou, and the resuscitated Hegel, we ought to rescue Woolf not only from the poststructuralists, but also from herself. I claim that another reading of Woolf is overdue, one which breaks with the general consensus. Such a reading is (...) not a disproving of the latter, but rather an illumination of its concealed underside which it vehemently disavows. I use the philosophy of Slavoj Žižek to illuminate this underside in Woolf’s Orlando, and demonstrate how Woolf shares more with Hegel and Descartes than Deleuze and his disciples. Rather than reading Woolf as a champion of connection, affectivity, and desire, we ought to read her as a writer of abstraction, negativity, and failure. (shrink)

European Enlightenment thought was the privileged model upon which intellectuals built a Chinese modernity since the decline of the Qing dynasty in the late nineteenth century. Aesthetically, a turn towards literary realism was successfully implemented. These Western legacies dominated the literary field until they lost their persuasive power in the 1990s. Beyond cultural production, the entanglements of a nation in transition with Eurocentric ideological paradigms influenced statecraft and nationalistic thought to our days. In his novel Frogs Mo Yan revisits the (...) heritage of May Fourth modernism to expose its transmogrification into the dehumanizing reality effects accompanying birth control from Mao to the Deng regime and thereafter. Employing images that suggest recent, science-based governance to have triggered local regimes of cosmic un-creation, the novel focuses on a global modernization that is perceived as socially as well as environmentally destructive. (shrink)